Home Now by Sam Losee

This piece was first published in Quarto’s 2020 Spring Print Edition.

 
Illustration by Gisela Levy

Illustration by Gisela Levy

 

Instead, I’ll say maybe it’s enough: the watercolor Kermit on the wall, shot glasses filled with
gomphrena and statice, orchid and oatmeal box on the top shelf, the soft scratch of thumbing
through black dawn pages. Even the blankets and moisturizer mean something different now. I
forget to take out the compost most of the time, but nobody minds. I leave the teabag in so long it
dries up completely, stare blankly at New Jersey and the dog walkers until the orange dusk joins
me on the window seat, tripping over the sill with attempted grace. I can’t remember the last
time I tied my red shoelaces. I get by washing my bangs in the sink and playing songs with good
basslines so loud I have to skip class. Sometimes, I wonder if the mice are happy, or what’s the
best thing they’ve ever discovered. Cue fairytale doom. I’m afraid of the same things they are,
except cigarettes. I think about how I’d be a terrible knight. Someone smudges “i love u” onto
the other window, and I spend too much money on food. When I’m lucky, the bodega cat sits on
my feet. I don’t know how to say his name, his cheek an egg in my palm, so I call him “First
Night,” and he doesn’t mind that I have so little vocabulary to choose from. He’ll never know
body high, slapping hands on doubled playing cards, river mirror, the urge to sink beneath it.

EVENINGS AT THE SHEDD AQUARIUM by David Ehmcke

This piece was first published in Quarto’s 2020 Spring Print Edition. 2020 poetry winner, selected by Safia Ehillo.

 
Illustration by Mitali Khanna Sharma

Illustration by Mitali Khanna Sharma

 

The beauty of it, I think, is in its formlessness—
how the flesh of the anglerfish wavers, not unwavelike,
as it traverses the waters of the deep benthic zone,

unharnessed from the greater laws
that govern the more worldly forms
that light, less effortfully, the brighter waters above—

This world is called DEEP OCEAN DWELLERS
and is much darker than CARIBBEAN REEF,
where, at these less sunny hours,

the sea turtles sleep on a small stretch
of synthetic sandy beach. As for my angler,
all that keeps me from it

is one inch of sturdy glass.
In dreams, I’d find a wetsuit or mallet
and know that I could touch it,

could close my fist around its illicium and pull—
But the anglerfish, exile
of the ocean, knows no violence

like this, not the brilliant shock of a human hand.
All it knows is the light that hangs
unfailingly before its eyes, and the glass that keeps me

from it. For its many years it will follow its esca,
dutiful lamp-light it has carried since birth. No,
the beauty of it, I think, is in its piety—

The anglerfish swims believing
that as long as this light stays lit, no hunger will ever be
endless. If the anglerfish had words,

would it deny me this? Would it sing?
If it were me, would it not extend an arm
and take its esca in its fist,

cradling that ordinary light, like a minor God,
in its ordinary palm, saying beauty, beauty...
In dark uneven waters, is there no reason to know me?

David Ehmcke is a recent graduate of Columbia College. His work has appeared or is forthcoming in Cosmonauts Avenue, Deluge, The Columbia Review, and elsewhere. In spring 2020, he received Quarto's Poetry Prize; the Brick Prize for his play FEED; and received the John Vincent Hickey Prize for an essay that studies Ariana Reines’s A Sand Book, new media, and the occult. A current Henry Evans Fellow, David will travel to London in 2021 to begin a book project in the British Museum that investigates curation, museology, and the poetics of the museum.

I lose my virginity in a Young Adult novel by Sam Losee

This piece was first published in Quarto’s 2020 Spring Print Edition.

 
Illustration by Gisela Levy

Illustration by Gisela Levy

 

I have nothing to say to him. This is a boy and his hair is
quicksand. I shed the prom dress like a last glass cocoon
and I sweat pure glitter but he can’t even see it.
No one here still wears corduroy or dreams about their teeth
falling out. So far, the only side effects have been extra
bike bells, chickadees, and the girl next door taking diligent notes.
She highlights my collarbones, shy moon on our shoulders,
And the boy tastes like warm, that’s all. He smells like 11 pm,
Shitty car, the most mundane apocalypse this street has ever seen.
Losing my virginity is bigger than God’s mouth. Not a secret:
I don’t actually have genitals. He asks if it’s really my first time.
I’m so good at this. I answer, virginity is something you scoop
with a fishing net, something you catch and eat for dinner later,
picking flesh apart with claw and metal until you’re full again.

Budapest-Nyugati pu to Praha hl.n. by Sarah Barlow Ochshorn

This piece was first published in Quarto’s 2020 Spring Print Edition.

 
Illustration by Mitali Khanna Sharma

Illustration by Mitali Khanna Sharma

 

Fond of laughing and
no longer in Budapest
I sleep warmly alone, watch
tin roofs and muted houses run
backwards out the window

Sleeping on trains instead
of in bed with you, Slovakia
muffled against my ears,
the drone of the wheels that
pull me into a stupor

You would like the mint green
laced across Czech towns you
would whisper it in my ear color
tipping as we slip
sideways, reaching the border

Back in New York you
call me from gold-lipped
concrete, walk me past the bookshop
on Fifth Street, hold me
in your pocket beneath blossoms
of a spring I am missing

You, gold-lipped under cool
sheets. You, blossoming
like the sweet June air. You,
crooning in my head as
the train reaches the station.

Sarah (she/hers) is a poet from Brooklyn, NY. She's a senior at Barnard, majoring in English with a concentration in Creative Writing and a minor in Women’s, Gender, and Sexuality Studies. Writing poetry has always been a part of her life, and she's loved getting to nurture and expand her craft while at Barnard. When Sarah is not writing, she loves to dance, play bananagrams with friends and family, and brush up on her embroidery skills.

LATER, REMAKING THE BED by Siri Gannholm

This piece was first published in Quarto’s 2020 Spring Print Edition.

I did not want not to be quiet
but last night you folded me in place

of our clothes which clung to the floor
in shreds shed petals dewy

by the time we awoke I opened
my mouth in place of my eyes

your body’s length gathered
in my arms in pleats cries of quails

fluttered down on us rustling
and it wasn’t till I placed

my mouth on your shoulder
that I caught the deer’s

eye as it moved
through grass gaze resting

for a moment on our sheets
unblinking

how far did it come
did it walk to bear witness

Illustration by Gisela Levy

Illustration by Gisela Levy

night fruit by Anna Desan

This piece was first published in Quarto’s 2020 Spring Print Edition.

 
Illustration by Gisela Levy

Illustration by Gisela Levy

 

In Audubon Eastern Landbirds 1946,
there is a photograph of a bird I ran over
in an empty parking lot.

From God’s mouth
drops the commandment
grow from nothing.
From His hands
drops the apple,
which tastes different at night
when knowledge is unwanted.

His attention to detail
is shown in the nervous system of a bird
splayed out something like a garden.
Sorrow,
bright as silver dollar,
blossoms under the skin.

No one mentions the obvious:
that of course bodies will be
left,
that I will one day marvel at
how slow this leaving can be.

The heavy sunlight writhing
in idle cars—
the light which doesn’t announce itself
as light—
tastes different
over carnage.

4 the west side by Hanna Dobroszycki

This piece was first published in Quarto’s 2020 Spring Print Edition.

I’m a slut
for Architectural Digest

the leather plush black couch

& rug
—featured on Page 1

within the foyer
says

i have a rug made
of lamb

choking the
mahogany floor

is my
middle name, you may call me

from now on
in my glass

class bathtub
& I

music, blushed by
the window

with
the park dark view &

I filet mignon
at night,

with my husband,
kids &

I money
down the

sin skinned lobby,
saying hello
to the doorman.

Illustration by Gisela Levy

Illustration by Gisela Levy

Hanna is a rising sophomore at Barnard College, intending to pursue English with a Creative Writing concentration. She likes a big open road.

JUNK by Lorenzo Barajas

i go dumpster

diving in the

mouth of a volcano

and come up

with molten shreds

dark and glittering

shadow-mad

i lug everything

through the underground

catacombs when i arrive

submerged into

the house it’s dim i lay

everything out to cool

under the branches of

an ancestral pine

all the junk

a cicada shell

with no tenant

an heirloom hacksaw

rusted

shattered clay birds

serrated incisors

dated news from a foreign country

in the corpse-cold

moonlight it gleams and

i hold all my junk before

me in my arms.

Illustration by Mitali Khanna Sharma

Illustration by Mitali Khanna Sharma

Lorenzo Barajas is a clout-chasing Californian pursuing a degree in English (and possibly Art History) to unknown ends. He is interested in experimental medieval texts, early abstract expressionism, and intersections with his identity as a trans Mexican-American.

Diagnostic Criteria by Sarah Barlow-Ochshorn

This piece was originally published in Quarto’s 2020 Spring Print Edition.

 
Illustration by Mitali Khanna Sharma

Illustration by Mitali Khanna Sharma

 

Trigger Warning: mental illness, depression

Diagnostic Criteria

   A. Wherever there is soil, plants grow and produce their kind
        a. All plants are interesting
   B. When a person makes a choice as to what plants he shall grow in any given place, he becomes a farmer
        a. If the conditions are such that he cannot make a choice, he may adopt the plants that grow there by nature
        b. By making the most of them he may still be a gardener or a farmer in some degree
   C. If there is not a foot of land, there are porches or windows
        Note: Every family, therefore, may have a garden

Diagnostic Features

The criterion symptoms for major depressive disorder must be present nearly every day. Must be present as you let the soil from your window boxes sit under your nails, present as you let the small shovel fall and your fingers graze the window sill, must be as the cars on Ocean Avenue pass by without seeing into the small apartment.

The diagnosis depends on the 2-year duration, which distinguishes it from episodes of depression that do not last 2 years. 2 years after the first hospital visit, when you graft fragments: back, hips, arm to hold, mind to body. 2 years after pulling together, 2 years after and after and after when you are back in the garden.

Factors predictive of poorer long-term outcome include higher levels of neuroticism (perhaps triggered when your son breaks down his sister's bike and paints it yellow, then is unable to put it back together again. Perhaps increased when your husband dies.), greater symptom severity, poorer global functioning (Hayden and Klein 2001; Rhebergen et al. 2009; Wells et al. 1992), and presence of anxiety disorders or conduct disorder (Ochshorn, 2002).1

1 Some language from L.H. Bailey's Manual of gardening: A practical guide to the making of home grounds and the growing of flowers, fruits, and vegetables for home use and Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition.

Sarah (she/hers) is a poet from Brooklyn, NY. She's a senior at Barnard, majoring in English with a concentration in Creative Writing and a minor in Women’s, Gender, and Sexuality Studies. Writing poetry has always been a part of her life, and she's loved getting to nurture and expand her craft while at Barnard. When Sarah is not writing, she loves to dance, play bananagrams with friends and family, and brush up on her embroidery skills.

When The Tour Guide Dropped Dead by Anna Sugrue

 
Illustration by Gisela Levy

Illustration by Gisela Levy

 

after “Grand Narrative with Chandelier” by Matthea Harvey

He woke up to find his hats
were suspended in midair, hovering

in color order, full-price
above Fifth Avenue. It meant

he couldn’t count on us anymore.
It meant our little cameras could revolt,

flip front-ways & catch him red-faced
and askew. He looked down

and his shirt was outside-in.
His white shoes weren’t there.

We were shining them with black
polish and a brush made of rat hair.

We cheered when the superhero
tore his cape in the subway grate,

the cargo ships started to row backward
when we could distinguish his card cut-out

from the crowd & when the bus crashed
through the median he gasped with us,

smirks and sunglasses, thumbs on buttons,
raining down through hat-clouds & smog.

Anna Sugrue is a senior at Barnard College majoring in urban studies and sociology. She loves to write about cities.

Quality by Anna Sugrue

 
Illustration by Mitali Khanna Sharma

Illustration by Mitali Khanna Sharma

 

after “Altruism” by Vievee Francis

Too much tattoo, too much “wisdom”,
too much knee touch, shriveled lime, 
ice pools, too much tomorrow, as much 
as the bar lighting makes him squint, 
much like empty air (harshly, like hair) burns 
in anticipation he begged, are you
Pretty much
? Twice as much as he was—
So much sidewalk,
cement polka dots, how much rat sex
between loud metal door stops, where all
the shuddering paper bags shaped like wine bottles,
too much pretense, too much much ado, too much 
walking. Can’t walk much faster.
In so much as I breathe, my chest can’t take much more breath.

I want to be left much more to be desired. To not think much when I put my leg, your leg, across our laps. I want much more me left, of not much left in between, not much left to the imagination. The feeling of forgetting how to count, not steps, not breaths,  enough.

Anna Sugrue is a senior at Barnard College majoring in urban studies and sociology. She loves to write about cities.

my favorite pants are not my favorite pants anymore by Zain Murdock

This piece was originally published in Quarto’s 2019 Spring Print Edition.

 
Illustration by Cameron Lee

Illustration by Cameron Lee

 

for daphne, galatea,
etc., etc., etc.

black
soft velour
size small
$24 at Costco even though they’re brand name but i never cared about that kind of thing anyways

so soft
you could leave a hand print
i washed
them a few times
since
and i still see
the handprint there
i still feel
his hands
on me
on me           
on me                     
on me                            

on me, i have these
pants
black
soft velour
i wear them now
as if
it never happened
they just happened to match
my outfit today
handprints
can be rubbed off
anyways

and now
i let myself
spill tears
on my black velour sweatpants
they can be washed out
anyways
and now
i let myself
spill tears
on my black velour sweatpants
they can be washed out
anyways

for we are all
trees,
rooted in time
and space
and heteronormativity
and flight makes us
all the more
lovely
anyways

tears are clear
anyways
he’s not here
anyways
i disappear
anyways
i bury
my tight shirts
in the back
of my drawer,
anyways

pygmalion would have
thought i’d dressed
like a harlot
that night
maybe it was he,
him and all the other
handprints
who turned me
to stone

because what’s hidden
must be
even
better,
right, apollo?

some times1 i see
the sun
peeking out
from the heavy slits
i call my eyes;
from sleep,
i drag
that semblance of a body
bones made of ivory
again          
and again

people only leave
handprints
on things
not worth
touching
i told myself

and made myself
a fortress
out of my own skin
to hide in
from the shadows
of his handprints
and the rain
of my own judgement
anyways

i drank a beer last time
i tried
to try to feel
like he did
that night
but i wasn’t
fucked up enough
to leave a handprint
on anything
that never asked for it
i guess       

i guess
my black
velour sweatpants
size small
$24 at Costco even though they’re brand name but i never cared about that kind of thing anyways

never                            
asked for it


1 at 40.8075° N, 73.9626° W: 6:40 AM, 7:11 AM, 4:27 PM

Gentle by Joan Tate

This piece was originally published in Quarto’s 2019 Spring Print Edition.

 
Illustration by Gisela Levy

Illustration by Gisela Levy

 

The dogs are out
and the world could fit in my fingers
if i would let it.

For i have become a hairy phantom
that lingers.

i have broad shoulders
and a belly
and i can’t remember this face that stares back

and a cold wind blows in the holes
of this hallowed house.

My toes curl and flicker.
And i don’t recognize
the hands that cradle the world.

There’s a song one whispers
through these frigid breezes

that coaxes me out to pray.
So i swallow my faucets and showerheads,
listen to the pipes wilt in the walls

and fill my fists with hair
to paint myself

prettier than this body allows.
i think
i am standing by the kitchen window

watching them play
as my eyes wander like a frigid wind

looking over the foreign
face
that stares back at me from the window’s mirror.

i’ve become a glaring pantoum
which eats itself

like the godecho
of my father’s voice
remember where you came from.

Call me Helen
and let the world speak for me
while i’m gone.

archive of an unmarked grave by Bryn evans

This piece was first published in Quarto’s 2019 Spring Print Edition.

 
Illustration by Cameron Lee

Illustration by Cameron Lee

 

The suggestion of a body}
a                          cord                         necklace,

teeth
                                          the smell of muscadines

a limb
the repose of a soul










} It’s displacement
   It’s memory

loose,                               now tight, tight her or
                             him
                             a choke her or
                             him,
                                                    a call her or
   him

dull white bullets
                      or stones or seeds

like gas burning

a brown branch bleached blanche

   a shriek of purity, catching
                                                                                                                a ghost with a busted lip
                                                                                                                a laugh that bleeds onto
   that limb
                                          charred back
                                          charred black

a crowd screaming mercy

Black Cat by Emily Mack

This piece was first published in Quarto’s 2019 Spring Print Edition.

 
Illustration by Cameron Lee

Illustration by Cameron Lee

 
 

This piece was first published in Quarto’s 2019 Spring Print Edition

1. Bull Run 20’s in a Blue Box
in the trunk beside Frat Party 15’s,
one Peacock-Grand-Slam Finale (green!)
swerving lanes on the I-90- East
in the fields they will crack
like city boys splitting trees
for the fire and the axe
tossed carelessly between their torsos.

A ziplock bag of gummy butterflies
had melted on the dash clear
peach streaks dripping
so there goes breakfast, I thought,
there he goes again pouring Skol
into the orange juice
and grinning like a bad cowboy.

The cabin was damp next to somebody’s grandma’s trailer home.
Here in a small county.
The tennis court and the little soft-bottomed lagoon.

Drove down the I-90-East with expired plates
all that hot afternoon and still:
two of us didn’t feel so lucky striking
the match for an upturned Marlboro
Red or was it a Light.
That night was controlled demolition.
We had paid good, wet cash to watch
the show. There would be no liplocking
at dawn over ziplocked candy.
No wooden porch and certainly
no Oscar-Mayer stuck on a stick
that blazes like, what else, a torch
illuminating woods behind grandma’s trailer,
there would be none of that.

I said unpack the trunk already.

2. A confession:
At senior prom my date forgot
the corsage. What would have been
a hot pink rose, and I cried
alone in the bathroom of a rich kid’s house
while girls posed on the lawn with a leg exposed.
A hot pink rose tied in baby’s breath
and champagne ribbon for my champagne dress.

A satiny corsage that tilts against my gold wristwatch
still cold from the fridge.

A rose with glitter painted on the rubbery tips
of curling petals by a woman at the grocery store
and stored carefully in plastic.

Falling apart by midnight like all the other girls’.

My shy date gifted me instead
a single roman candle from his back pocket
and in the bathroom I clutched it behind
my back like a glinting dagger
that would not fit in my silver pocketbook.

I clutched it in front of my stomach
taut in the creamy dress
like it were a prim bouquet, if only
it were a bouquet of Buck Shots.

Behind the dance alone, I lit my corsage
and watched it take flight, fizzle high
and fast and disintegrate with a pop that shook
my hand trembling with the gold wristwatch
and the firework was green. (Typhoon!)

The roman candle contained three shots. Pop.
Pop, Pop.

I had asked for pink.
Inside the slow songs played.

3. We Knew Not Much Outside
the depths of the neighborhood from whence
we came in our long city on a great lake.
We were not yet ancient then.
Our tan legs quivered with swagger
from summer roofing jobs and bicycling
about town singing Back in the Saddle and slinging
King Cobra in glass bottles that clinked in our backpacks.
This was before the beginnings of beer bellies, see.
When we drank to get sidetracked in waning suns
and took the long way home at night
if just to linger.
Always in our jeans pocket: iridescent switchblade, a casual forefinger.

And at night nothing but love between the boys and girls!
We were a soft bunch of burgeoning addicts, fake scholars,
and reformed thieves. Saints, really.
And we loved our country so much
that we crossed state lines multiple times
every Fourth of July to get the day-glo goods.
We had lost some eyebrows to the cause,
maybe a quarter-pinky. But not yet.

This was before the beginnings of beer bellies, see.
All of our parents were alive.
At night there was nothing but love between the boys and girls.

Seven or eight of us would fit in the car on the way
to explode a surplus
in a trailer park called Woodhaven past hours of corn.

We meant to find lucidity in the airborne there,
starting little sparks
up near trees like cardinal wings spreading and tensing in the dark.

4. The Village of Blue Gill, Illinois
With reverence for the past, and hope for the future,
all Blue Gill citizens are proud to call this community their home.
A place for small town values, monthly newsletters,
man-made lagoons like Black Oaks Pond and Reservoir Yellow Feather.

Blue Gill population 5,004 with a 15-member, dutiful police force
that patrols the Woodhaven Trailer Park in pairs
fat cop in the driver’s seat
sometimes he floors it down Potawatomi Street
after wet, filmy teenagers hop the fence
of the lap-swim pool near dawn

air slicing cool on the local kids’ skin while they escape Woodhaven gates
on dirt bikes doubled up and riding pegs
out to fields of farm near the expressway,
rows of soybean for miles.

The Blue Gill teens traipse over these bushes, stepping toward
the protection of corn
where they stomp through stalks blindly and touch each other.

And the fat cop never catches country kids.

And on Sundays, he goes fishing.
And he’s never been to Chicago before. He likes the skirt steak special at Blue Gill Tavern
and he likes the Fourth of July parade
when Ms. Ottawa County floats by
and she plays the flute along to old Gene Autry songs.

But the fat cop dreads the fireworks all day.
They keep up his bloodhound, Bud, scratching at the trailer door
dreaming of mud in Black Oaks Pond, wet lawns,
dreams of howling at the gates of Woodhaven.

5. So We Left For Blue Gill
in X’s van and Sam called shotgun
quite seriously. He twisted the radio dial.
I was a mechanic’s daughter
that couldn’t drive, I sat hunched in back for miles
chasing whiskey with water.

X at the steering wheel: the most handsome
of us, and best, he was supposedly blessed
for surviving a fire of his own making.
That was years ago. (Pyro!)
Now he’s a mechanical engineer

who taps the wheel at stop signs
along to homespun hip-hop.
Sam in the shotgun seat grinned like a bad cowboy,
John Deere cap turned backwards.

That was the year Sam and I split night shifts
at the Italian Ice stand, scooping ruby sorbet
into styrofoam cups.
I made good tips.
In the back, Sam squeezed limes
and measured sugar, we worked
sweating through the total solar eclipse.

That was when I said Sam, let’s go on a trip
soon, my hands sticky and thick with strawberry juice.
The same day that Juan brought cold cans of Old Style
to the walk-up window around noon
and shoved a bill in my jar.

When nights were slow, I picked my scabs
while Sam played acoustic guitar.

On the I-90 East
Juan sat in the backseat of the van with me
while X sped past wide-eyed cows and Burger Kings
and we kept look-out for highway patrol
since Juan was still on parole but don’t worry,

X gets away with everything.

Juan wasn’t going to come to Blue Gill.
He never left town. He was addicted
to cocaine and hung out mostly still
in the park by the high school
taking swills or smoking spliffs on the bench.
Juan sold lots of coke back then.

And he wasn’t going to come to Blue Gill
until the day before we left, some older guys had shot
a single, clean hole
through his living room window, it was penny-sized.
And his head fell
now to rest shaking on my shoulder
in the backseat of the van like we were sixteen.

How the boys fascinated me so.

There were girls too in the backseat
and packed behind in yet another row.
They were interesting and beautiful girls.
They had broke homes too, by all means,
and they were thoughtful and looked good
in cut-off jeans. They forgave. They sang folksy.
They wore sparkles and raved on weekends:
loud-laughing and proud
to exist among wayward young men.
Maxine, Maddie, Bella, the other Bella, Safiya, Lily,
all curled up in yellow bikinis.

But I can’t forget grumbling Sam’s ruddy profile
and the window behind his face moving moments
of farm animals and exit warnings.
How I loved him back then and how
embarrassing. The boys were not fearless.
X would slow the van with a smirk.

From my shoulder, Juan would whisper that
the gunshot sounded just like a firework.

6. Uncle Mad Dan’z off the Indiana Skyway
was a shack in a gravel lot.
We preferred the smaller joints to whopping spots
advertised on main routes between billboards
for Roxy Gentlemen’s Club and Rogaine
just a few feet south of the border
by a turn-off lane.

At Uncle Mad Dan’z, a brace-faced checkout boy
always hustled X into a larger set
of mortars. We all liked to flex back then,
waving wads of singles and pointing up the short aisles
while the checkout boy crunched on Fritos,
climbed the stepladder.

A man, maybe the Mad Dan, smoked in the lot
on a beach chair and stroked his pit bull.
He helped the boys load the trunk by the bagful
while I lingered around inside and imagined Mad Dan’z
burning to the dusty ground.
A vision which made my knees buckle—

so perilous to stand in aisles stacked ceiling-high
with Cosmic Honeysuckle, Combat Zones (yellow!)
Chameleon Centrifuge, Ghost Riders,
Bellowing Asteroid Blaster in huge columns
and Big Pimpin’ 25’s, Aerial Dogfights (blue!)
plus cherry bombs.
I always pocketed a few.

On the label a gold-eyed panther bares
his searing fangs: a hiss you could nearly hear
through plastic-packaged boxes of the name-brand.
His face torn open again and again by eager hands.

I imagined the cherry bombs covered in chocolate.
I always left one or two on the counter
in the back of the ice stand.

7. What the Fat Cop Knew
round noon when he saw a dented van
speed through town center with city plates
and a trailer park guest pass pasted
in the windshield: a trunk full
of thirty-cases and love-makers,
no doubt. But what else?

He watched the backseat waving
cigarettes out the windows
passionately. The fat cop tailed behind
till he was radioed for backup:
Drunk guy won’t leave the library. Over.

He reversed the squad car back up over
West Street, red and blue light fragmentary
drifting across his forehead.
It was midday in central Illinois.
The local cardinals sang a song
of roses and violets. Momentarily
the fat cop closed his eyes behind the wheel
basking. It was a sweet summer.

The bum at the library kept asking
for shoelaces and using the C-word.
He would eventually be peacefully
transferred somewhere leeward.
Somewhere else in town—
in the timbered curves of Woodhaven—
boys and girls had torn open
the first box of High Life.

The Irish ones were applying sunscreen.

Nicole, whose grandma owned the lot,
was in the shed poking old tires on bicycles
she rode with brothers when they were young
and visiting. She recalled those hot, nothing
weekends but oh, the excitement of
the diving board then.

The tires were all half-flat but would do
just the mile or so to the pool although
the road was hilly.
One bike was a tandem. And how I tried
to understand him when Sam and I mounted
its corroded skeleton, pedalling silly.
I remember he spit on the ground.
I remember the sky was cloudless.

We rode past small lakes with painted signs.
All in a line, grinding drained wheels through
the gravel-paved meadow and up green mounds.
Made our way as if whistling.
Whenever we slowed, Sam lit a firecracker
which disturbed like a camera click:
all the white-tailed deer bristling.

I said stop that. Or we’ll run out and what if
we get hungry later. His right hand
extended and pinching a shrinking wick
against the wildflower clatter, we cackled.
Crackers. The does scattered. My god, my chest.
He looked back as if to say don’t flatter yourself.

8. We Caused Trouble in the Locker Room
shotgunning gold cans and waiting
our turn with Juan in the handicapped stall.
We had no self-control.
Mothers hunched and changed and covered
their children along the concrete wall:
No Run Zone.

Fenced-in blue the lap-swim pool shone.

Freckled X had stayed behind at the cabin
to have sex. Couples had to do it in shifts:
First Bella and X then Maddie and Travis
and then Nicole and Alex.
The rest of us slept on quilts on the floor. Confession:
I’ve never had a real boyfriend before
but I fall in love all of the time,
it’s easy when you’re drunk.

I used to wake up and make a screwdriver.
I used a screwdriver to break up chunks
of ice before I fed them into the churner at the stand
while Sam squeezed limes.
Sam and I staggered home sometimes
getting loaded while he went on about
his drowned brother and I thought I was so special.

After swimming us girls finished another thirty
amongst ourselves. Tossing gummy butterflies
between our mouths. We lay browning.
I didn’t know it then that my blood was boiling.

Shaded by a visor crown,
I was so drunk and kind in the grass
when X crouched down and asked
where we hid the fireworks.

Nicole said something about noise complaints
and a clearing outside of the gates. She said later.
I rose.

Glancing under the oak tree, Juan dozed.
Keyring looped around his thumb.
And with his eyes closed I swear
that boy looked about ten years old
and beatified.
I had to pee but one of the couples was still inside.

9. That Night It All Started
when Sam sat cross-legged on the porch deeply engaged
with Maxine who was loud-mouthed and big-hearted.
I had brought her along, we met at college that year and became
dear girlfriends. Sam’s guitar in his lap
while Maxine held our Stella crystal chalice brimming before
her like a gloved queen.

Yes, I felt the sloshing
and smelled the splash onto the swinging bench.
And Maxine was going on about dropping out
of school so her big, brown eyes filled with tears
so perfectly and Sam moved the guitar to the ground
so carefully so he could move in toward her.

And one of the couples was still inside.
And one of the couples was in the back of the van.
So I asked Juan to take a walk
and we had made it to the gravel road by the trash cans
where X was taking a leak and looking
dumbfounded, he asked again where
Nicole hid the fireworks.

Juan was astounded when I pointed
toward the bush behind the shed.
See, here’s the thing: years ago X survived
a fire of his own making. Not so dead
but half-balded and he still he loved to play.

Scalded boy, I called him.
When he drinks he aches for a little gasoline.

When we fourteen X left trash cans burning down the alley
like valentines for his Bella.
Baby smokestacks in the city, we used to roast
marshmallows in the park.
X always with the tangelo display.
Mania out of a match and hairspray.

That was why Nicole had hid the bundle under the bush.
The Bull Run 20’s in a blue box beside Frat Party 15’s
and one Peacock-Grand-Slam. (Green!)
X could not be trusted to wait until we made it to the clearing.
The secret valley
she knew far from the rows of shuttered homes where
no one would have heard us cheering
for what the air held.

Nicole said the cops around here were real jerks.

Juan offered X a bump off his own wrist
while I looked back to the porch. Its figures.
That’s when white-toothed X took off resisting
our hands with a twist, downright giddy
when he fled. Arms loaded with explosives.
He howled catch me if you can. And I ran back
to the house screaming fire like a madman
as X wasted our finale on drunken antics.

How romantic, I thought
when we split into pairs to effectively search the Woodhaven grounds:
the forest, ponds, jungle gym, the pool.

We trailed where cardinals fled from faint popping sounds.

10. A Brief History:
Research into pyrotechnics first began during the Han Dynasty, when the emperor approached Taoist alchemists with one request: to live forever. To conjure immortality, the alchemists combined potassium nitrate with sulfur. Potassium nitrate provided enough energy to blast out from the bamboo casing. The sulfur sprayed and stunk. But it was not until centuries later during the Song Dynasty that charcoal was added for a slow burn. The bamboo tubes were stuffed thick and tossed into fire pits to ward off evil spirits. Along with the ingredients for gunpowder, fireworks spread to the West through the Silk Road. To increase morale during the American revolution, fireworks were displayed along with booming cannons and the discharging of muskets. John Adams referred to this triparate “illumination” as a tradition which he hoped would continue every coming summer in celebration. Although dangerous and violent aspects of the festival were subdued, his wish was mostly granted. Americans still delight in the noise, light, smoke, and floating materials. Most cities and townships provide citizens with a public display every Fourth of July. (New Year's Eve too.) Oftentimes neighbors will curate their own hazy show on street corners while other neighbors grill meat and gaze up. In some states, red billboards punctuate the freeway with a deranged cartoon cousin of Uncle Sam offering a swell deal on bottle rockets, mortars, and more. In many movies, when the couple finally kisses and the man says, “I love you,” fireworks ignite in the background.

11. A Wooden Guardrail Rings Reservoir Yellow Feather
shallow and muddy at the trailer park’s edge.
Illinois herons rested in the wings where we could not see them
their knees bent backwards.
The tennis court was across the pond.
Droves of mosquitos hovered above the still water.
We swatted.

Sam and I against rotted posts,
we called out X, X like kids following smoke.
Sam kept asking who told X where the bundle was hidden
since we all knew what was forbidden
but I was quick and mean asking him
about Maxine and why he didn’t call me back last week
when I was leaving a house party and I wasn’t tired yet
and it was so warm outside.

I was still in a pink bikini top
as we squinted into clusters of trees.
I sucked in to muster up what I needed to say please
look at me, Sam. Our drugged, wet pupils.
Jean shorts pulled up over the fold of my belly button.
Legs shaved and then bitten clean.
My god, my chest.

And he said I don’t know if it’s best for us
to walk so long or sleep together anymore because you love me.
You love me. When he said it, hot wind whirled.
So then what could I do besides fall into the marshy grass
and cry like, what else, a girl?

Sam chainsmoked Reds while I cried,
or were they Lights?
I cried until I choked while Sam drank a 40 from his backpack.
Every few minutes, he handed me the warm bottle.
He did not look at my soaked face.
When the sobs stopped and I moved to get up,
the gentleman offered me a palm.

I told him he was an asshole for forgetting the corsage at prom.

That’s when we saw it
in the tennis court from across the pond:
a vertical eruption almost like a cylinder of sparkles fizzing
and it was mostly orange, I think. Until the green mortar
exploded, a peacock unfurled so high, twinkling peony
into a flash powder titanium salute.

Golden spider legs inching out from chrysanthemum (silver!)
the twitching legs dissipated into platinum flare. Bang.
Showering, momentary red glare.
And the crackling traipsed down as a velvet curtain upon
a bare-torsoed boy who danced around his flames like Merlin. Bang.

He did not notice us spying.
A reflection of the color wavered in the reservoir.
Of course, I started crying.

12. So the Fat Cop Demanded to Know What Was Wrong
when he pulled up to the wooden gazebo.
Sirens flipped off.
He grabbed Sam’s bony shoulders
and cornered him to the rail.
The cop’s back to the vanishing trail
of X’s final tennis court torpedo.

I crossed my arms to cover streaks of dirt
and explained that I was not battered
so the cop let go of Sam.
He said that was all that mattered but
where the hell was my shirt?
Sam said, I’m sorry, we’re just in the middle of breaking up, sir.

And the cop blushed. Then he said, I’ll need to search your bag.
See, I’m responding to a call about a reck-loose running
and lighting shit up, disturbing the peace, see,
you fit the description you dirty blonde.
Go ahead, take another drag. Stupid kid.
And while I’m here, would you happen to know anything
about the big group in the cabin off Section C?
You know, the cabin with the shed and all the bicycles
strewn about on the lawn by the willow tree?

And we said No sir, not me.
I was crashing hard and shaking, sobbing still,
and the cop ordered Sam to hold me.

That was the last time he held me.
He held me stiffly from the side
while the fat cop wrote us tickets for underage drinking.
We were twenty then. What a joke.

Obviously the coke was in our pockets.
The cop drove away.
Then Sam left to find the others but I said
I wanted to walk back alone through the woods
just to see. And he said okay.
We were twenty then.
It was the last time we spoke.

13. Back at The Cabin, The Girls Were All Shook Up
because when they went to look for X,
Maddie slipped into a mud pit and lost her shoe.
In the aftermath, a flash of sirens came
from down the gravel path which sent Juan running.
When the fat cop ransacked the place,
he discovered a stunning 210 empty cans of Miller High Life.

He was looking for something explosive.

X was still missing.
And other boys had been skinny dipping in the forest
while the girls all lined up on the porch.
Side by side.
It was Nicole who first dared to slide
out of line and shatter our Stella crystal chalice
so the callous cop would pop out and investigate the crash.
That’s how Maxine scurried in through the door in the back
to shove all of Juan’s stash in her crotch.

When I finally staggered in, I was regaled the tale of heroism:
how Maxine crawled through the grass
and how the girls were all lined up quaking on the porch.
They swear they saw smoke rising from the tennis court.

But they could not see his orchestrated flames.
And I would never tell them what I did see.

How the pond illuminated.

Nicole kept saying if we had only waited,
she knew about fields of farm near the expressway,
rows of soybean for miles.
She rode there with her brothers when she was a child.
She said the police can’t find you there.

X came back near dawn with brambles in his blonde hair.
He apologized for stealing the show.
But everyone knew it was me
who had pointed to the bundle below the bush
and around the shed.
While Bella kissed his mouth, I said Good Thing
that fat cop didn’t find you or we woulda been dead.

We left Woodhaven that morning in a dented van.
We left the tennis court scorched black in the shape of
a chrysanthemum.
We drove around Blue Gill till we found Juan in a tavern.
All of us sat at a long table and ate quietly.
We stunk like sulfur and cigarette ash.
My eyes hurt. We all paid in cash.
Went home to the city.

That shift I made tips enough to pay my drinking ticket.
It was still July.
We were still twenty
and all of our parents were alive.
As I passed sweet ice through a window
crickets moaned the new night.
It was not unlike the hissing of a cat (black!)
or the fizzing of a bottle rocket.

I found an old cherry bomb in my apron pocket.
A lighter was hidden in my cowboy boot.
I thanked myself, sadly disposed of the fruit.

Sea Bright, Saigon by Elizabeth Kyung Merrigan

 
Illustration by Sophie Levy

Illustration by Sophie Levy

 

This piece was first published in Quarto’s 2019 Spring Print Edition

When the storm was just a swirling argument
my father swept the shore each day

for sea glass
to exchange for quarters

The teacher came to collect him
in the hallway by the vending machines
where geckos did not fall from slick cinder walls

Years ago
wind and water funneled missed Saigon
into silt romance
to settle on a strip of land
off
south Jersey

so when it landed on soft dunes and stilts
it carried our young out to sea

When waking one morning in a strange town
do not think to become the

boat people

of some midtown transatlantic
strip mall

I do not claim to know disaster
that delivered my father as his own cargo

In the embroidery of my
diner napkin memory
I see just our simple golden bodies

and evening summer haze

which in Sea Bright
would have blurred the lighthouse

the burmese python
wound tight around the backyard palm

spilling like white froth to the ground
following a boy’s finger

to beyond the property’s edge

Mercy Land of Mine by Mya Reyes-Rios

 
Illustration by Cameron Lee

Illustration by Cameron Lee

 

it was not love that plied the switch
mis-sis-sip-pi
goddamn.
cathedrals sing in sweet ballad bathing laps of death
no mass without moaning mothers
upturned magdalene foreheads beaded in sweat
green bottle tree spirit superstitions line every
beseeching stoop
fearing yet another young Medgar trampled in the yard.
molecules of their spiralling hair twist in myrtle
branches,
becoming untold,
staggering beings of manacles and megacosm
salt over shoulder
they croon this last chorus.

Mya Reyes-Rios is a freshman at Columbia College intending to study English and Ethnicity & Race Studies. Her poetry is influenced by her upbringing in Los Angeles and it explores themes related to mass incarceration, addiction, and inequality. She posts more about these topics on her Twitter, @mielhija.