Quality by Anna Sugrue

 
Illustration by Mitali Khanna Sharma

Illustration by Mitali Khanna Sharma

 

after “Altruism” by Vievee Francis

Too much tattoo, too much “wisdom”,
too much knee touch, shriveled lime, 
ice pools, too much tomorrow, as much 
as the bar lighting makes him squint, 
much like empty air (harshly, like hair) burns 
in anticipation he begged, are you
Pretty much
? Twice as much as he was—
So much sidewalk,
cement polka dots, how much rat sex
between loud metal door stops, where all
the shuddering paper bags shaped like wine bottles,
too much pretense, too much much ado, too much 
walking. Can’t walk much faster.
In so much as I breathe, my chest can’t take much more breath.

I want to be left much more to be desired. To not think much when I put my leg, your leg, across our laps. I want much more me left, of not much left in between, not much left to the imagination. The feeling of forgetting how to count, not steps, not breaths,  enough.

Anna Sugrue is a senior at Barnard College majoring in urban studies and sociology. She loves to write about cities.

my favorite pants are not my favorite pants anymore by Zain Murdock

This piece was originally published in Quarto’s 2019 Spring Print Edition.

 
Illustration by Cameron Lee

Illustration by Cameron Lee

 

for daphne, galatea,
etc., etc., etc.

black
soft velour
size small
$24 at Costco even though they’re brand name but i never cared about that kind of thing anyways

so soft
you could leave a hand print
i washed
them a few times
since
and i still see
the handprint there
i still feel
his hands
on me
on me           
on me                     
on me                            

on me, i have these
pants
black
soft velour
i wear them now
as if
it never happened
they just happened to match
my outfit today
handprints
can be rubbed off
anyways

and now
i let myself
spill tears
on my black velour sweatpants
they can be washed out
anyways
and now
i let myself
spill tears
on my black velour sweatpants
they can be washed out
anyways

for we are all
trees,
rooted in time
and space
and heteronormativity
and flight makes us
all the more
lovely
anyways

tears are clear
anyways
he’s not here
anyways
i disappear
anyways
i bury
my tight shirts
in the back
of my drawer,
anyways

pygmalion would have
thought i’d dressed
like a harlot
that night
maybe it was he,
him and all the other
handprints
who turned me
to stone

because what’s hidden
must be
even
better,
right, apollo?

some times1 i see
the sun
peeking out
from the heavy slits
i call my eyes;
from sleep,
i drag
that semblance of a body
bones made of ivory
again          
and again

people only leave
handprints
on things
not worth
touching
i told myself

and made myself
a fortress
out of my own skin
to hide in
from the shadows
of his handprints
and the rain
of my own judgement
anyways

i drank a beer last time
i tried
to try to feel
like he did
that night
but i wasn’t
fucked up enough
to leave a handprint
on anything
that never asked for it
i guess       

i guess
my black
velour sweatpants
size small
$24 at Costco even though they’re brand name but i never cared about that kind of thing anyways

never                            
asked for it


1 at 40.8075° N, 73.9626° W: 6:40 AM, 7:11 AM, 4:27 PM

Gentle by Joan Tate

This piece was originally published in Quarto’s 2019 Spring Print Edition.

 
Illustration by Gisela Levy

Illustration by Gisela Levy

 

The dogs are out
and the world could fit in my fingers
if i would let it.

For i have become a hairy phantom
that lingers.

i have broad shoulders
and a belly
and i can’t remember this face that stares back

and a cold wind blows in the holes
of this hallowed house.

My toes curl and flicker.
And i don’t recognize
the hands that cradle the world.

There’s a song one whispers
through these frigid breezes

that coaxes me out to pray.
So i swallow my faucets and showerheads,
listen to the pipes wilt in the walls

and fill my fists with hair
to paint myself

prettier than this body allows.
i think
i am standing by the kitchen window

watching them play
as my eyes wander like a frigid wind

looking over the foreign
face
that stares back at me from the window’s mirror.

i’ve become a glaring pantoum
which eats itself

like the godecho
of my father’s voice
remember where you came from.

Call me Helen
and let the world speak for me
while i’m gone.

archive of an unmarked grave by Bryn evans

This piece was first published in Quarto’s 2019 Spring Print Edition.

 
Illustration by Cameron Lee

Illustration by Cameron Lee

 

The suggestion of a body}
a                          cord                         necklace,

teeth
                                          the smell of muscadines

a limb
the repose of a soul










} It’s displacement
   It’s memory

loose,                               now tight, tight her or
                             him
                             a choke her or
                             him,
                                                    a call her or
   him

dull white bullets
                      or stones or seeds

like gas burning

a brown branch bleached blanche

   a shriek of purity, catching
                                                                                                                a ghost with a busted lip
                                                                                                                a laugh that bleeds onto
   that limb
                                          charred back
                                          charred black

a crowd screaming mercy

Black Cat by Emily Mack

This piece was first published in Quarto’s 2019 Spring Print Edition.

 
Illustration by Cameron Lee

Illustration by Cameron Lee

 
 

This piece was first published in Quarto’s 2019 Spring Print Edition

1. Bull Run 20’s in a Blue Box
in the trunk beside Frat Party 15’s,
one Peacock-Grand-Slam Finale (green!)
swerving lanes on the I-90- East
in the fields they will crack
like city boys splitting trees
for the fire and the axe
tossed carelessly between their torsos.

A ziplock bag of gummy butterflies
had melted on the dash clear
peach streaks dripping
so there goes breakfast, I thought,
there he goes again pouring Skol
into the orange juice
and grinning like a bad cowboy.

The cabin was damp next to somebody’s grandma’s trailer home.
Here in a small county.
The tennis court and the little soft-bottomed lagoon.

Drove down the I-90-East with expired plates
all that hot afternoon and still:
two of us didn’t feel so lucky striking
the match for an upturned Marlboro
Red or was it a Light.
That night was controlled demolition.
We had paid good, wet cash to watch
the show. There would be no liplocking
at dawn over ziplocked candy.
No wooden porch and certainly
no Oscar-Mayer stuck on a stick
that blazes like, what else, a torch
illuminating woods behind grandma’s trailer,
there would be none of that.

I said unpack the trunk already.

2. A confession:
At senior prom my date forgot
the corsage. What would have been
a hot pink rose, and I cried
alone in the bathroom of a rich kid’s house
while girls posed on the lawn with a leg exposed.
A hot pink rose tied in baby’s breath
and champagne ribbon for my champagne dress.

A satiny corsage that tilts against my gold wristwatch
still cold from the fridge.

A rose with glitter painted on the rubbery tips
of curling petals by a woman at the grocery store
and stored carefully in plastic.

Falling apart by midnight like all the other girls’.

My shy date gifted me instead
a single roman candle from his back pocket
and in the bathroom I clutched it behind
my back like a glinting dagger
that would not fit in my silver pocketbook.

I clutched it in front of my stomach
taut in the creamy dress
like it were a prim bouquet, if only
it were a bouquet of Buck Shots.

Behind the dance alone, I lit my corsage
and watched it take flight, fizzle high
and fast and disintegrate with a pop that shook
my hand trembling with the gold wristwatch
and the firework was green. (Typhoon!)

The roman candle contained three shots. Pop.
Pop, Pop.

I had asked for pink.
Inside the slow songs played.

3. We Knew Not Much Outside
the depths of the neighborhood from whence
we came in our long city on a great lake.
We were not yet ancient then.
Our tan legs quivered with swagger
from summer roofing jobs and bicycling
about town singing Back in the Saddle and slinging
King Cobra in glass bottles that clinked in our backpacks.
This was before the beginnings of beer bellies, see.
When we drank to get sidetracked in waning suns
and took the long way home at night
if just to linger.
Always in our jeans pocket: iridescent switchblade, a casual forefinger.

And at night nothing but love between the boys and girls!
We were a soft bunch of burgeoning addicts, fake scholars,
and reformed thieves. Saints, really.
And we loved our country so much
that we crossed state lines multiple times
every Fourth of July to get the day-glo goods.
We had lost some eyebrows to the cause,
maybe a quarter-pinky. But not yet.

This was before the beginnings of beer bellies, see.
All of our parents were alive.
At night there was nothing but love between the boys and girls.

Seven or eight of us would fit in the car on the way
to explode a surplus
in a trailer park called Woodhaven past hours of corn.

We meant to find lucidity in the airborne there,
starting little sparks
up near trees like cardinal wings spreading and tensing in the dark.

4. The Village of Blue Gill, Illinois
With reverence for the past, and hope for the future,
all Blue Gill citizens are proud to call this community their home.
A place for small town values, monthly newsletters,
man-made lagoons like Black Oaks Pond and Reservoir Yellow Feather.

Blue Gill population 5,004 with a 15-member, dutiful police force
that patrols the Woodhaven Trailer Park in pairs
fat cop in the driver’s seat
sometimes he floors it down Potawatomi Street
after wet, filmy teenagers hop the fence
of the lap-swim pool near dawn

air slicing cool on the local kids’ skin while they escape Woodhaven gates
on dirt bikes doubled up and riding pegs
out to fields of farm near the expressway,
rows of soybean for miles.

The Blue Gill teens traipse over these bushes, stepping toward
the protection of corn
where they stomp through stalks blindly and touch each other.

And the fat cop never catches country kids.

And on Sundays, he goes fishing.
And he’s never been to Chicago before. He likes the skirt steak special at Blue Gill Tavern
and he likes the Fourth of July parade
when Ms. Ottawa County floats by
and she plays the flute along to old Gene Autry songs.

But the fat cop dreads the fireworks all day.
They keep up his bloodhound, Bud, scratching at the trailer door
dreaming of mud in Black Oaks Pond, wet lawns,
dreams of howling at the gates of Woodhaven.

5. So We Left For Blue Gill
in X’s van and Sam called shotgun
quite seriously. He twisted the radio dial.
I was a mechanic’s daughter
that couldn’t drive, I sat hunched in back for miles
chasing whiskey with water.

X at the steering wheel: the most handsome
of us, and best, he was supposedly blessed
for surviving a fire of his own making.
That was years ago. (Pyro!)
Now he’s a mechanical engineer

who taps the wheel at stop signs
along to homespun hip-hop.
Sam in the shotgun seat grinned like a bad cowboy,
John Deere cap turned backwards.

That was the year Sam and I split night shifts
at the Italian Ice stand, scooping ruby sorbet
into styrofoam cups.
I made good tips.
In the back, Sam squeezed limes
and measured sugar, we worked
sweating through the total solar eclipse.

That was when I said Sam, let’s go on a trip
soon, my hands sticky and thick with strawberry juice.
The same day that Juan brought cold cans of Old Style
to the walk-up window around noon
and shoved a bill in my jar.

When nights were slow, I picked my scabs
while Sam played acoustic guitar.

On the I-90 East
Juan sat in the backseat of the van with me
while X sped past wide-eyed cows and Burger Kings
and we kept look-out for highway patrol
since Juan was still on parole but don’t worry,

X gets away with everything.

Juan wasn’t going to come to Blue Gill.
He never left town. He was addicted
to cocaine and hung out mostly still
in the park by the high school
taking swills or smoking spliffs on the bench.
Juan sold lots of coke back then.

And he wasn’t going to come to Blue Gill
until the day before we left, some older guys had shot
a single, clean hole
through his living room window, it was penny-sized.
And his head fell
now to rest shaking on my shoulder
in the backseat of the van like we were sixteen.

How the boys fascinated me so.

There were girls too in the backseat
and packed behind in yet another row.
They were interesting and beautiful girls.
They had broke homes too, by all means,
and they were thoughtful and looked good
in cut-off jeans. They forgave. They sang folksy.
They wore sparkles and raved on weekends:
loud-laughing and proud
to exist among wayward young men.
Maxine, Maddie, Bella, the other Bella, Safiya, Lily,
all curled up in yellow bikinis.

But I can’t forget grumbling Sam’s ruddy profile
and the window behind his face moving moments
of farm animals and exit warnings.
How I loved him back then and how
embarrassing. The boys were not fearless.
X would slow the van with a smirk.

From my shoulder, Juan would whisper that
the gunshot sounded just like a firework.

6. Uncle Mad Dan’z off the Indiana Skyway
was a shack in a gravel lot.
We preferred the smaller joints to whopping spots
advertised on main routes between billboards
for Roxy Gentlemen’s Club and Rogaine
just a few feet south of the border
by a turn-off lane.

At Uncle Mad Dan’z, a brace-faced checkout boy
always hustled X into a larger set
of mortars. We all liked to flex back then,
waving wads of singles and pointing up the short aisles
while the checkout boy crunched on Fritos,
climbed the stepladder.

A man, maybe the Mad Dan, smoked in the lot
on a beach chair and stroked his pit bull.
He helped the boys load the trunk by the bagful
while I lingered around inside and imagined Mad Dan’z
burning to the dusty ground.
A vision which made my knees buckle—

so perilous to stand in aisles stacked ceiling-high
with Cosmic Honeysuckle, Combat Zones (yellow!)
Chameleon Centrifuge, Ghost Riders,
Bellowing Asteroid Blaster in huge columns
and Big Pimpin’ 25’s, Aerial Dogfights (blue!)
plus cherry bombs.
I always pocketed a few.

On the label a gold-eyed panther bares
his searing fangs: a hiss you could nearly hear
through plastic-packaged boxes of the name-brand.
His face torn open again and again by eager hands.

I imagined the cherry bombs covered in chocolate.
I always left one or two on the counter
in the back of the ice stand.

7. What the Fat Cop Knew
round noon when he saw a dented van
speed through town center with city plates
and a trailer park guest pass pasted
in the windshield: a trunk full
of thirty-cases and love-makers,
no doubt. But what else?

He watched the backseat waving
cigarettes out the windows
passionately. The fat cop tailed behind
till he was radioed for backup:
Drunk guy won’t leave the library. Over.

He reversed the squad car back up over
West Street, red and blue light fragmentary
drifting across his forehead.
It was midday in central Illinois.
The local cardinals sang a song
of roses and violets. Momentarily
the fat cop closed his eyes behind the wheel
basking. It was a sweet summer.

The bum at the library kept asking
for shoelaces and using the C-word.
He would eventually be peacefully
transferred somewhere leeward.
Somewhere else in town—
in the timbered curves of Woodhaven—
boys and girls had torn open
the first box of High Life.

The Irish ones were applying sunscreen.

Nicole, whose grandma owned the lot,
was in the shed poking old tires on bicycles
she rode with brothers when they were young
and visiting. She recalled those hot, nothing
weekends but oh, the excitement of
the diving board then.

The tires were all half-flat but would do
just the mile or so to the pool although
the road was hilly.
One bike was a tandem. And how I tried
to understand him when Sam and I mounted
its corroded skeleton, pedalling silly.
I remember he spit on the ground.
I remember the sky was cloudless.

We rode past small lakes with painted signs.
All in a line, grinding drained wheels through
the gravel-paved meadow and up green mounds.
Made our way as if whistling.
Whenever we slowed, Sam lit a firecracker
which disturbed like a camera click:
all the white-tailed deer bristling.

I said stop that. Or we’ll run out and what if
we get hungry later. His right hand
extended and pinching a shrinking wick
against the wildflower clatter, we cackled.
Crackers. The does scattered. My god, my chest.
He looked back as if to say don’t flatter yourself.

8. We Caused Trouble in the Locker Room
shotgunning gold cans and waiting
our turn with Juan in the handicapped stall.
We had no self-control.
Mothers hunched and changed and covered
their children along the concrete wall:
No Run Zone.

Fenced-in blue the lap-swim pool shone.

Freckled X had stayed behind at the cabin
to have sex. Couples had to do it in shifts:
First Bella and X then Maddie and Travis
and then Nicole and Alex.
The rest of us slept on quilts on the floor. Confession:
I’ve never had a real boyfriend before
but I fall in love all of the time,
it’s easy when you’re drunk.

I used to wake up and make a screwdriver.
I used a screwdriver to break up chunks
of ice before I fed them into the churner at the stand
while Sam squeezed limes.
Sam and I staggered home sometimes
getting loaded while he went on about
his drowned brother and I thought I was so special.

After swimming us girls finished another thirty
amongst ourselves. Tossing gummy butterflies
between our mouths. We lay browning.
I didn’t know it then that my blood was boiling.

Shaded by a visor crown,
I was so drunk and kind in the grass
when X crouched down and asked
where we hid the fireworks.

Nicole said something about noise complaints
and a clearing outside of the gates. She said later.
I rose.

Glancing under the oak tree, Juan dozed.
Keyring looped around his thumb.
And with his eyes closed I swear
that boy looked about ten years old
and beatified.
I had to pee but one of the couples was still inside.

9. That Night It All Started
when Sam sat cross-legged on the porch deeply engaged
with Maxine who was loud-mouthed and big-hearted.
I had brought her along, we met at college that year and became
dear girlfriends. Sam’s guitar in his lap
while Maxine held our Stella crystal chalice brimming before
her like a gloved queen.

Yes, I felt the sloshing
and smelled the splash onto the swinging bench.
And Maxine was going on about dropping out
of school so her big, brown eyes filled with tears
so perfectly and Sam moved the guitar to the ground
so carefully so he could move in toward her.

And one of the couples was still inside.
And one of the couples was in the back of the van.
So I asked Juan to take a walk
and we had made it to the gravel road by the trash cans
where X was taking a leak and looking
dumbfounded, he asked again where
Nicole hid the fireworks.

Juan was astounded when I pointed
toward the bush behind the shed.
See, here’s the thing: years ago X survived
a fire of his own making. Not so dead
but half-balded and he still he loved to play.

Scalded boy, I called him.
When he drinks he aches for a little gasoline.

When we fourteen X left trash cans burning down the alley
like valentines for his Bella.
Baby smokestacks in the city, we used to roast
marshmallows in the park.
X always with the tangelo display.
Mania out of a match and hairspray.

That was why Nicole had hid the bundle under the bush.
The Bull Run 20’s in a blue box beside Frat Party 15’s
and one Peacock-Grand-Slam. (Green!)
X could not be trusted to wait until we made it to the clearing.
The secret valley
she knew far from the rows of shuttered homes where
no one would have heard us cheering
for what the air held.

Nicole said the cops around here were real jerks.

Juan offered X a bump off his own wrist
while I looked back to the porch. Its figures.
That’s when white-toothed X took off resisting
our hands with a twist, downright giddy
when he fled. Arms loaded with explosives.
He howled catch me if you can. And I ran back
to the house screaming fire like a madman
as X wasted our finale on drunken antics.

How romantic, I thought
when we split into pairs to effectively search the Woodhaven grounds:
the forest, ponds, jungle gym, the pool.

We trailed where cardinals fled from faint popping sounds.

10. A Brief History:
Research into pyrotechnics first began during the Han Dynasty, when the emperor approached Taoist alchemists with one request: to live forever. To conjure immortality, the alchemists combined potassium nitrate with sulfur. Potassium nitrate provided enough energy to blast out from the bamboo casing. The sulfur sprayed and stunk. But it was not until centuries later during the Song Dynasty that charcoal was added for a slow burn. The bamboo tubes were stuffed thick and tossed into fire pits to ward off evil spirits. Along with the ingredients for gunpowder, fireworks spread to the West through the Silk Road. To increase morale during the American revolution, fireworks were displayed along with booming cannons and the discharging of muskets. John Adams referred to this triparate “illumination” as a tradition which he hoped would continue every coming summer in celebration. Although dangerous and violent aspects of the festival were subdued, his wish was mostly granted. Americans still delight in the noise, light, smoke, and floating materials. Most cities and townships provide citizens with a public display every Fourth of July. (New Year's Eve too.) Oftentimes neighbors will curate their own hazy show on street corners while other neighbors grill meat and gaze up. In some states, red billboards punctuate the freeway with a deranged cartoon cousin of Uncle Sam offering a swell deal on bottle rockets, mortars, and more. In many movies, when the couple finally kisses and the man says, “I love you,” fireworks ignite in the background.

11. A Wooden Guardrail Rings Reservoir Yellow Feather
shallow and muddy at the trailer park’s edge.
Illinois herons rested in the wings where we could not see them
their knees bent backwards.
The tennis court was across the pond.
Droves of mosquitos hovered above the still water.
We swatted.

Sam and I against rotted posts,
we called out X, X like kids following smoke.
Sam kept asking who told X where the bundle was hidden
since we all knew what was forbidden
but I was quick and mean asking him
about Maxine and why he didn’t call me back last week
when I was leaving a house party and I wasn’t tired yet
and it was so warm outside.

I was still in a pink bikini top
as we squinted into clusters of trees.
I sucked in to muster up what I needed to say please
look at me, Sam. Our drugged, wet pupils.
Jean shorts pulled up over the fold of my belly button.
Legs shaved and then bitten clean.
My god, my chest.

And he said I don’t know if it’s best for us
to walk so long or sleep together anymore because you love me.
You love me. When he said it, hot wind whirled.
So then what could I do besides fall into the marshy grass
and cry like, what else, a girl?

Sam chainsmoked Reds while I cried,
or were they Lights?
I cried until I choked while Sam drank a 40 from his backpack.
Every few minutes, he handed me the warm bottle.
He did not look at my soaked face.
When the sobs stopped and I moved to get up,
the gentleman offered me a palm.

I told him he was an asshole for forgetting the corsage at prom.

That’s when we saw it
in the tennis court from across the pond:
a vertical eruption almost like a cylinder of sparkles fizzing
and it was mostly orange, I think. Until the green mortar
exploded, a peacock unfurled so high, twinkling peony
into a flash powder titanium salute.

Golden spider legs inching out from chrysanthemum (silver!)
the twitching legs dissipated into platinum flare. Bang.
Showering, momentary red glare.
And the crackling traipsed down as a velvet curtain upon
a bare-torsoed boy who danced around his flames like Merlin. Bang.

He did not notice us spying.
A reflection of the color wavered in the reservoir.
Of course, I started crying.

12. So the Fat Cop Demanded to Know What Was Wrong
when he pulled up to the wooden gazebo.
Sirens flipped off.
He grabbed Sam’s bony shoulders
and cornered him to the rail.
The cop’s back to the vanishing trail
of X’s final tennis court torpedo.

I crossed my arms to cover streaks of dirt
and explained that I was not battered
so the cop let go of Sam.
He said that was all that mattered but
where the hell was my shirt?
Sam said, I’m sorry, we’re just in the middle of breaking up, sir.

And the cop blushed. Then he said, I’ll need to search your bag.
See, I’m responding to a call about a reck-loose running
and lighting shit up, disturbing the peace, see,
you fit the description you dirty blonde.
Go ahead, take another drag. Stupid kid.
And while I’m here, would you happen to know anything
about the big group in the cabin off Section C?
You know, the cabin with the shed and all the bicycles
strewn about on the lawn by the willow tree?

And we said No sir, not me.
I was crashing hard and shaking, sobbing still,
and the cop ordered Sam to hold me.

That was the last time he held me.
He held me stiffly from the side
while the fat cop wrote us tickets for underage drinking.
We were twenty then. What a joke.

Obviously the coke was in our pockets.
The cop drove away.
Then Sam left to find the others but I said
I wanted to walk back alone through the woods
just to see. And he said okay.
We were twenty then.
It was the last time we spoke.

13. Back at The Cabin, The Girls Were All Shook Up
because when they went to look for X,
Maddie slipped into a mud pit and lost her shoe.
In the aftermath, a flash of sirens came
from down the gravel path which sent Juan running.
When the fat cop ransacked the place,
he discovered a stunning 210 empty cans of Miller High Life.

He was looking for something explosive.

X was still missing.
And other boys had been skinny dipping in the forest
while the girls all lined up on the porch.
Side by side.
It was Nicole who first dared to slide
out of line and shatter our Stella crystal chalice
so the callous cop would pop out and investigate the crash.
That’s how Maxine scurried in through the door in the back
to shove all of Juan’s stash in her crotch.

When I finally staggered in, I was regaled the tale of heroism:
how Maxine crawled through the grass
and how the girls were all lined up quaking on the porch.
They swear they saw smoke rising from the tennis court.

But they could not see his orchestrated flames.
And I would never tell them what I did see.

How the pond illuminated.

Nicole kept saying if we had only waited,
she knew about fields of farm near the expressway,
rows of soybean for miles.
She rode there with her brothers when she was a child.
She said the police can’t find you there.

X came back near dawn with brambles in his blonde hair.
He apologized for stealing the show.
But everyone knew it was me
who had pointed to the bundle below the bush
and around the shed.
While Bella kissed his mouth, I said Good Thing
that fat cop didn’t find you or we woulda been dead.

We left Woodhaven that morning in a dented van.
We left the tennis court scorched black in the shape of
a chrysanthemum.
We drove around Blue Gill till we found Juan in a tavern.
All of us sat at a long table and ate quietly.
We stunk like sulfur and cigarette ash.
My eyes hurt. We all paid in cash.
Went home to the city.

That shift I made tips enough to pay my drinking ticket.
It was still July.
We were still twenty
and all of our parents were alive.
As I passed sweet ice through a window
crickets moaned the new night.
It was not unlike the hissing of a cat (black!)
or the fizzing of a bottle rocket.

I found an old cherry bomb in my apron pocket.
A lighter was hidden in my cowboy boot.
I thanked myself, sadly disposed of the fruit.

Sea Bright, Saigon by Elizabeth Kyung Merrigan

 
Illustration by Sophie Levy

Illustration by Sophie Levy

 

This piece was first published in Quarto’s 2019 Spring Print Edition

When the storm was just a swirling argument
my father swept the shore each day

for sea glass
to exchange for quarters

The teacher came to collect him
in the hallway by the vending machines
where geckos did not fall from slick cinder walls

Years ago
wind and water funneled missed Saigon
into silt romance
to settle on a strip of land
off
south Jersey

so when it landed on soft dunes and stilts
it carried our young out to sea

When waking one morning in a strange town
do not think to become the

boat people

of some midtown transatlantic
strip mall

I do not claim to know disaster
that delivered my father as his own cargo

In the embroidery of my
diner napkin memory
I see just our simple golden bodies

and evening summer haze

which in Sea Bright
would have blurred the lighthouse

the burmese python
wound tight around the backyard palm

spilling like white froth to the ground
following a boy’s finger

to beyond the property’s edge

Mercy Land of Mine by Mya Reyes-Rios

 
Illustration by Cameron Lee

Illustration by Cameron Lee

 

it was not love that plied the switch
mis-sis-sip-pi
goddamn.
cathedrals sing in sweet ballad bathing laps of death
no mass without moaning mothers
upturned magdalene foreheads beaded in sweat
green bottle tree spirit superstitions line every
beseeching stoop
fearing yet another young Medgar trampled in the yard.
molecules of their spiralling hair twist in myrtle
branches,
becoming untold,
staggering beings of manacles and megacosm
salt over shoulder
they croon this last chorus.

Mya Reyes-Rios is a freshman at Columbia College intending to study English and Ethnicity & Race Studies. Her poetry is influenced by her upbringing in Los Angeles and it explores themes related to mass incarceration, addiction, and inequality. She posts more about these topics on her Twitter, @mielhija.

Ribs by Esmé Ablaza

Illustration by Gisela Levy

Illustration by Gisela Levy

Ribs
rusted on the fire escape
carve red caves
in my thighs.
A porcelain tile comes loose
in my mind.
I get high
and wonder why
you didn’t pick up
the night he died.

 

Esmé Ablaza is a senior at Barnard College studying Information Science and Contemporary Society. 

Coda by Morgan Levine

This piece was first published in Quarto’s 2019 Spring Print edition. It was awarded the 2019 Best Poetry Prize by Guest Judge Spencer Reece.

Illustration by Cameron Lee

Illustration by Cameron Lee

after Tracy K. Smith

Asleep, we breathe little cuts into the morning
and it bleeds lemony blue light. This opening–

this movement of your shoulder, the angles
of the shelves and tables sharpening themselves

into reality. The world is opening too.
How miraculous the sun. How sweet

it must think us, to celebrate it’s coming
this way, softly, every day.

Every day. To ourselves and one another. And what
if the morning is neither opening nor closing? Just
another entrance of light, another way for the sun
to needle into our cells? An injury?

That, too, we would welcome.

Nightswimming by Amanda Liu

This piece was first published in Quarto’s 2019 Spring Print Edition.

Illustration by Dora O’Neill

Illustration by Dora O’Neill

there’s an ocean lodged in the sheets and the springs and
the pillow-matter and the people between them that quiver like

kite strings—while they sleep and while they don’t.
the bassline makes a wingman. the words

punctuated by the crackle-pop of the microwave
strike the porchlight and scatter—

like perfume through an atomizer.
her lips are azalea pink and so wet with gloss that if you look

close enough you can see the moon’s reflection—
begging for a bite and just a few hours underwater where

the body arcs like sheet metal in a microwave.
in one orchestral maneuver,

like love in a Faraday cage, you are quite certain
this is the end of the world.

with parachute bones, you are falling faster than sound.
overwhelmed by the

taste of impact. you briefly believe in God. the air is
synesthetic with ozone, vanilla and hibiscus in no particular order.

you find you are a child learning truth tables:
categorizing your fictions and believing them anyway.

you are beyond the knee-on-knee chewing of confessions like
strawberry bubblegum and have become

the city’s neon bright adverts that reflect off a chrome hood—
backwards, incoherent, ecstatic.

she’s drying off to the hum of midnight radio tuning.
you say this room isn’t dark, it’s just ultraviolet.

National Park by Jade Levine

This piece was first published in Quarto’s 2019 Spring Print Edition.

Illustration by Mita Sharma

Illustration by Mita Sharma

Every baby born in the United States
is dreaming of a national park
is dreaming of 60 officially designated national parks
administered by the National Park Service

is dreaming of their baby blankets dipped in cold
glacial spill, onesies washed with
soap from a plastic box
pearl christening buttons
rolled in sequoia, and sand, and mulch chips

A ranger is lining up cars at the bottom of the mountain
A ranger is collecting pacifiers and teething giraffes
for the lost and found

Every time I'm born
I’m dreaming of national parks
50 cent soft serve, metal cups of pump water,
a poorly photocopied map to lose beneath a car seat

Every American baby is dreaming about the water cycle
land management policy
brown hats
drought
congressional budget lines
wildfires

and every American baby knows the same lullaby:
Arches, Badlands, Crater Lake,
land, land land
la la and

Mr. Noah by Joan Tate

Remind me of the covenant
You wrote.
God, must’ve been years ago when I,
God, scrawled naked across that foamy desert
blood-backed on my belly
welting and weeping,
my teeth creeping out the jaw.
Guilt is a word for it.

I was trying to make good,

to make good
the ledgers, the debts, my debts,
my bluegrass grin
ethereal and muddybare
and hardly legible as once my hand,
and with a prayer reminding
the rebar crosses streaming down broadway
to make good too.

But where
and why in my lonesome,
have I forgotten?
I reckon up my teeth as friends often.
Call them my covenant
and my tongue the rainbow
that dries the blue ridge
to bone-coils in my spine.

The ship creaks. It settles
on the drain. I hear it suckling on the pine,
I hear its want. The animals stir
with themselves. Easy.
By dawn the sun comes up. The beaches
are bloated rags. The hills sopping on the sky.
I step out and greet the day. And am lone.

Oh Lord grab me by my nape
tell me it was worth it
to leave all them behind
and let me go free.

Illustration by Sophie Levy

Illustration by Sophie Levy

Joan Tate is a sophomore at Columbia College planning on majoring in creative writing with a focus on poetry. Growing up moving across Virginia as a fifth generation pastor’s kid, her work focuses on confusions and conflicts surrounding gender, intertextuality, sexuality, God, classics, guilt, and the gap between Manhattan and Appalachia. Instagram.

The Last Jedi by Kristian Anfinn Tonnessen

Illustration by Gisela Levy

Illustration by Gisela Levy

I watched The Last Jedi last night,
and if that deters you from reading further,
I poured a cup of coffee for myself this morning.
There. Now
we are in this together. I had a realization in two parts–
walking into the water up to my waist,
then plunging the rest in altogether,
though it’s April, though it’s absurd–
that is how my mother taught me.

Watch your parents break a rule they’ve made for themselves.
Text their spouse and drive,
have that one extra glass of wine,
rescind unconditional love, fear strangers
and forget to greet them.

Now imagine all the rules they don’t have for themselves:
no rules against making
that exit ramp before the Delaware Water Gap,
no rules against
having no bank account, no ownership, $3.75 left over
for coffee.

I read once that no one writes about money in poems
because of inflation:
my children may not understand how three dollars
could buy a cup of coffee,
or why, though we never went hungry,
I have to count every dollar I spend.

And as for The Last Jedi–I let someone take me
and forgot about the past, which is something else
my mother taught me,
the self lost in cinema, so every week,
I go alone and find her. For me she is not stuck upstate
packing her mother’s belongings up,
does not only possess one bedroom, a Toyota Camry,
and a defective spine. She is there, and she is in the next empty seat;
she is the driver, or the passenger,
and we have both seen the bobcat down the road at the same time,
wait for the curtain of unbelievable rain to hammer us,
both gasp the shimmered beauty of an April blizzard
before I grow up, make money, become my own parent.

Kristian Anfinn Tonnessen is a graduating senior in Columbia College, studying Creative Writing and Russian Literature. He is curious about where the dozens of socks he has lost in the last four years have gone. Are they happy? Do they remember him? Instagram

A WHITE BOY FIGURES OUT HE DIDN'T GET INTO HEAVEN by Asha Futterman

god hands you a magic 8 ball

Illustration by Charlie Blodnieks

Illustration by Charlie Blodnieks

you shake it

it says signs point to no

a hole opens below you

you fall and fall and fall

you hit a ground

it looks like what you thought heaven would look like

lots of white people

all your shitty friends

the dudes on that soccer team

your grandmother

you think

you misread the ball

maybe you were flying that whole time

but

we’ve got it better up here

i promise

we’re naked all the time

every concrete sidewalk has hopscotch

that rain will never wash away

there are swings at every playground

god is three black women

they run a radio station called the good word

there are no commercials

but where you fell

you

get bored

the leaves can’t fall or change colors

it’s 55 degrees every day

you wonder why all the brown people

are somewhere else

we dance on clouds

and shit

every time someone asks how you doing

we say real good

there are no white people

to kick us out of places

if anyone tries to take our fingerprints

our hands will turn paper to flesh

and form a big black fist

also there are no white people

i met jesus last tuesday

he had dreads to the floor

they smelled like incense

we made up secret hand shake

i would show you
but its secret

you never met jesus

you live in four story house with your parents

it is peach

like all the other houses

we don’t have houses here

we beyond walls

you look

in the glove compartment

of your range rover

where you hid a small sheet of paper with the words

that appeared on the 8 ball years ago

but we don’t have to look

for anything

my grammy is here

she finally learned how to swim

and you

unfold the paper

start to cry

you spot a phone in the back seat

panic

dial 1-800-INNOCENT

and raise the phone to your ear

like you’ve done many times

but this time

god picks up
you say

hello

Harvest Season (the End of the World) by Melissa Ho

This piece was originally published in Quarto’s 2018 Spring Print Edition.

Illustration by Mitali Sharma

Illustration by Mitali Sharma

begins as a bedtime story. Annie surfaces for air, mouth leaking
white things into the sink. She spills forward until
I think she could split open: like all first children, she pretends to
die. I do not ask if I can see this. In one dream, we slice
open jackfruit, its belly a fresh storm under our tongues. This is
what it is to kiss her: the seeds burn through my mouth
for days. In Shanghai, we are sixteen, a new language cutting into
the body of the jackfruit. We fold and unfold our palms to
clean them. One night, we spend hours searching the dictionary
for the word that means naked. She tells me she is scared.
Me too, I say. In the living room, the television static is soft enough
to swallow, like a child hungry for her own ghost.
I learn that after the firstborn, girls are nameless. This is how
religion is made. Annie, I call, and she nods—in the dark,
we admit that we are sacred. That summer, the fruit is so golden
it is bloodless: the beginning of the world, as knowing as this.

body talk by Yiran Liang

Illustration by Sophie Levy

Illustration by Sophie Levy

what was the first voice in my head
that told me i needed to be fixed?
was it the echo of laughter from
the boys in school,
“your nose is so flat, you look like a pug”
pugs are cute, i say
only to be drowned out by the deep rumble of their prepubescent throats,
and the twitching smirks on their faces.

what was the first time when
i pulled at my skin, the part that wasn’t tight
soft, like pork belly—
no, my belly—
and said to myself that it wasn’t okay?
you’re disgusting
monstrous
fat
ugly
disproportionate
despicable

voices reverberating so clearly in my head.

you’re not perfect, no, you’re not perfect but
you’re so beautiful for an asian girl:
black hair cascading down shoulders
such oriental, almond-shaped eyes
I wanna hook up with an Asian girl for the first time
...
Lol I guess not.

(read 5:36PM)

boom, screech—the feedback is rough
against your ears, your nose, your lips, your skin,
your eyes,
the same eyes that your grandma said you would look prettier with
if you just got the surgery.
it rings throughout the night.

my mother said once,
“you always want something that you can’t have.”
is it possible to reclaim every fiber of
this being?
the tattered skin against my thumbnails,
picked raw in moments of panic,
my uneven and colorless lips,
bursts of pain moving up my right shin like a highway, the roughness
of a body not mine inside
My Body, my limbs in all its extremities—
the swollen twitch of the post-surgery eyelids i so desperately craved
and the aching hardness of the muscle i tried for
but could never have,
it was never mine in the first place, no?

do you want it?
i want to fix it, i say,
not knowing that i never needed to be fixed
in the first place.

Sarah Lu is currently a junior majoring in political science at Columbia College and grew up in Beijing, China. She is passionate about gender justice, Asian American activism, political theory, and pasta—she believes in the uniting power of the universal love for noodles. She is also really glad that she deleted her dating apps recently. Instagram

Seamus Heaney by Robert Mayo

Illustration by Charlie Blodnieks and Dora O’Neill

Illustration by Charlie Blodnieks and Dora O’Neill

If I could bring back Seamus Heaney
maybe then I’d have a lover
a real loverman for me,
perhaps he’d even be my boyfriend
and if we went over to Ireland
I am sure it would be magic—
Maybe I’ll bring back Seamus Heaney
maybe then I’ll have a lover.
I can smell us lying there upon the grass I feel
it always to be true, the muscles of his arm, the chafing of his stubble, soft, gentle in the light
of an Autumn sun through rotting leaves, of bitter breeze and the scratchy rag
he calls a blanket that we lie beneath—
We are so lonely on the soil.
And could he love me, do you think,
with white hair snowy on the manger
with love lust falling through the pilgrims
and all his sweaters wrapped around me?
It is a drip feed to the cannula—
Those are his lovely words, not mine—
It is a panic disco nightmare, lovely
Heaney please be mine.

Robert Mayo is a senior studying English literature and working part time in the Columbia Writing Center. When he’s not writing, he likes to do improvisational comedy, or buy books he won’t have the time to read.