Short Story 1.5 by Reese Alexander

 

Illustration by Kaavya Gnanam

 

TW: Sexual Assault, Alcohol Use

“I thought it was excellent.”

“You’re such a liar.”

“No, I really did!”

“You’re lying, babe.”

“Why is it you always think I’m lying when I say something nice about you?”

At that, Harper looked up from her beer and into his eyes. She wished she couldn’t, but she could always tell the second he lied. He was too readable—at least to her.

“What did you really think?”

He sat up straighter on the bar stool, and anxiously ran his fingers through his long hair. He fiddled with the rims of his glasses, then pushed them higher up onto the bridge of his nose. When he knew that time had run out, he looked back at her, and immediately folded, “It was very messy.”

“It was very messy?”

“All first drafts are messy.”

“But you said it was very messy.”

“I’m sorry. I didn’t mean that.”

“Yes, you did.”
“Ok, I did a little. It was messy, Harper, what do you want me to say? That doesn’t mean it isn’t important or isn’t good. It’s a draft, they’re supposed to be messy.”

She looked back down at her drink then, and tried her hardest to stop the tears before they started. No one had ever criticized her stories that harshly, and though she knew that the work deserved it, it still hurt. Badly.

“I didn’t say that I didn’t like it.”

“You basically did by calling it very messy. You left thirty-four comments on it the first time you read it, and another twenty-eight the next time.”
“Most of those were grammatical.”

“Whatever.”

The silence stretched between them then. Harper looked out the window over Ben’s shoulder as he pretended to follow the hockey game on one of the televisions over the bar. Harper crossed and uncrossed her legs under the high table, then smoothed the fabric of her dress out against her thighs.

She suddenly felt very much like a spoiled child throwing a temper tantrum in a public place. She looked around stealthily to see if anyone was listening in on their conversation, and was surprised to find the bar was nearly empty. When had it gotten so late?

“I’m sorry, I asked you to edit it and now I’m taking offense. That’s not fair.”

“It means a lot to you.”

“That doesn’t matter. I asked you to edit it.”

Ben sucked in a deep breath and slowly looked down into her waiting face. Harper wished she could be a few inches taller for this conversation. “I just think you’re capable of so much more. I’ve read your other stuff, and you have the insight to talk about this in such a meaningful way, and I just want you to get all you can out of it. Genuinely.”

Harper ran her finger along the edge of her empty glass. She couldn’t look him in the eyes. 

“I could also be completely wrong. It’s your story.”

“Yeah. It is my story.” Harper couldn’t help the bite in her tone. Somewhere far away, a small voice in her head cried over and over that she would regret acting this way tomorrow morning. Harper was positive that the voice was mistaken, and that she had never been as level-headed or insightful as this moment now. 

She swiveled her head to seek out the waitress, and without a word passing between them, Ben turned and ordered Harper the drink that she had just been thinking she wanted. She pushed the love that reared up inside of her to the fringes of her mind, and focused instead on fanning the anger. 

It was her story. It hadn’t happened to him. It hadn’t happened to anyone else. Yes, maybe it was messy. But it was her mess. It was hers.

“Harper, I’m sorry. I really didn’t mean for you to take it like this.”

“We should go.”

“That’s not fair.”

“I know, I’m sorry.”

“What did you want to get across in it?”

What had she wanted to get across? She didn’t know anymore. At first, she wanted to just figure out what she herself felt. It was still foreign to her, this feeling that she woke up with each and every morning. She kept expecting it to go away, because that was how life worked, right? Sometimes things hurt, but then eventually they stopped hurting. Bruises healed. People moved on.

But this feeling, this all-encompassing dread, stayed. It hid in Harper like a hideous parasite. This wasn’t just a hurt, but rather a vicious sickness that burrowed down through her very skin. It was a feeling that she longed to escape, but she also couldn’t not talk about—not bring up seemingly every other moment—no matter how hard she tried.

“I wanted to show what it felt like to go home after it happened.”

“That’s not what I read from it, but I could’ve read it wrong.”

“Ok.”

“I got more that it was about life in general after it happened.” As soon as he said it, Harper knew he was right. He really was a great editor. “I’m serious, you just need to hunker down on a few points and I think, in a couple more drafts, it’s going to be spectacular. And I mean that in a ‘worldwide’ spectacular sort of way.” He raised his glass back up to his lips, and Harper wondered if he did it because he wanted a drink, or if he just needed an excuse to break eye contact, to not speak for a couple of seconds. When the glass hit the table again, he looked conflicted. She practically already knew that the next words out of his mouth would be, “Let’s go home.”

Of course, home didn’t mean the same thing to the two of them. This had been a point of contention since the moment they first met. In Manhattan, uptown and downtown meant a long-distance relationship.

The night air took Harper by surprise the second she stepped out into it, and in that moment she knew that she had had too much to drink. Fuck. She resented how often she played the role of the sloppy, self-indulgent artist.

As she turned away to begin the trek uptown, Ben’s hand reached out and stopped her, “Harper, I’m walking you home.”

“No, you’re not.” 

“Yes, I am.”

No, you are not.”

“I want to spend time with you anyway. It’s not only that I need to walk you home.”

“I just want to walk myself home.”

“Harper, I’m walking you home.”

The frustration choked her then, and in the pavement cracks she could make out another man’s smile. She scuffed her toe against the concrete and willed herself to be less weak—to be the kind of person that walked themselves home and then…nothing. To lock the door and go to sleep. 

She wasn’t that person, obviously. She knew that that was impossible for her, and, looking into his face, she saw that Ben knew it, too. He gave her a small, melancholy smile in an attempt to bridge the divide that she had created between the two of them, and suddenly Harper was furious.

“It doesn’t fucking matter. The night you walked me home, I got fucking raped anyway.”

Harper regretted saying it. She regretted it the second the words breached her lips. Maybe she regretted it even sooner than that, but she found it impossible not to say.

It was the cruelest thing she had ever said in her life.

“Ben, I’m so sorry.”

“It’s ok.” He wasn’t ok.

“Ben, I am so sorry, I didn’t mean it.”

“It’s ok if you did.”

“No, I didn’t, I swear I didn’t. I didn’t mean it, Ben.”

“I would have.”

“What?” Harper realized then that there were people on the street other than them, but she didn’t care. She didn’t care who heard what anymore.

“I think about that constantly, you know. I think about the fact that I walked you home every single day. And it still happened. I was with you that night, and it still happened.”

“I’m so sorry, I didn’t mean it like that.”

“I wouldn’t blame you if you did.”

“It wasn’t your fault. Even if you did something differently, it still would have happened.”

“If I would’ve invited you to my place, it wouldn’t have.”

“I would’ve said no.’

“You wouldn’t have.”

“I could’ve.”

“You wouldn’t have.”

“It’s not your fault.” Harper had never considered this. It had never occurred to her that Ben would have opinions of his own about what had happened. She realized then that she had never thought at all about how it affected him. Her face burned with shame and self-loathing, and she didn’t fight as he pulled her along beside him.

They were descending into the subway during this, and Harper’s final words could’ve gotten caught up and taken away by the wind. Odds are, they weren’t. Odds are, he heard her and kept moving straight ahead; focused on when the next train would arrive. He was always focused on getting her home. She loved him so much then. She loved him more than she loved fresh coffee or the smell of verbena or the color blue. She loved him more than he would ever believe.

“The fucking train is delayed.” His shoulders slumped, and he pulled Harper to the very end of the station. She looked around, but there was hardly anyone else there. Was she being loud without knowing? It was likely.

“I love you.”

“I love you, too.”

She buried her head in the crook of his neck and shut her eyes tight. 

The train came then. It shook the ground beneath their feet and swallowed up all the surrounding noise. When the doors opened, he took her hand and pulled her inside the car. Though her feet screamed at her to walk home, she followed him. She knew he was right. And she hated that. He held her hand in both of his for the entire train ride.

When her stop arrived, he gently pulled her to her feet, and guided her out of the car and onto the desolate platform beyond. The quiet unsettled Harper. The buskers had long since left the underground behind. The usual accordion notes lived only in her own mind now, so she was the only one to hear the haunting and lonely tune echoing through the tunnels. 

“I don’t want you to go home alone. What if something bad happens?” Harper felt idiotic and hypocritical for feeling this way after her previous outburst. Goddammit, she hated herself sometimes.

“I’m ok.”

“You take the 1 to 72 and then you take the 3 all the way down, remember?”

“Yes, Harper, I remember.”

“If the train isn’t coming at 72 then you can also wait until 42. Worst case scenario, just take the 1 the whole way, okay? Sometimes the trains don’t run at night.”

“I know how to get home.”

“I know you do.” She could tell that she was acting completely irrationally then, but she couldn’t help herself. 

“This is where I leave you.” He smiled, and clasped her hand in his one final time before slowly letting his fingers unclutch, and retreating down the tunnel and deeper underground. He would never kiss her in the subway. Ben would never do something so public and grotesque.

Harper waved a few more times as he traveled further down the platform. He returned her waves until he couldn’t anymore, until the ceiling and floor colluded in swallowing him whole. Harper waited at her spot one level above him until the train came. He couldn’t see her, and she couldn’t see him, but still she watched until it pulled all the way out of the station. Only when the silence persisted, and she was confident that she was the last remaining person underground, did Harper breathe a sigh of relief and exit out into the night.

Reese Alexander is a sophomore at Barnard. She is an English major, and plans to concentrate in creative writing. Reese is originally from Birmingham, Alabama, and her two favorite triple word phrases are Samuel Taylor Coleridge and Pumpkin Spice Latte.

Notes (to Self) by Analisa Faulkner Valiente

Day 5 Winner of Quarto’s 2022 Thunderdome Flash Fiction Contest. View the prompt here.

 
 

2/5/2022 (first day of last semester!)
Philosophy <3

Audre Lorde Notes

-Audre Lorde: black lesbian poet (like me! Ty Mr. Wurst :))

On “Transformation of Silence...”
-Addressed to feminist conference-James
Note: didn’t make a joke about feminism. Maybe he’s not a total dick (maybe)
-Awareness of death
-Theme: silence will not save us from inevitable end, so we should be vocal– Leila :)
Try to always remember Leila’s campy glasses
Currently aware of the inevitable end of my time here. What silences does this free me to break?
-Must seek out the words of those not like us
● Wurst: like our class
Note to self: in end-of-year thank you note tell Wurst this class was the first time I really felt free to break silence.

!!: at home put sticky note on notebook that says “TAKE ME TO COLLEGE!”

On “Poetry is Not a Luxury”:
-”I think therefore I am” vs. “I feel therefore I can be free”

Megan: I saw that line and thought, “OMG, I know that quote!”
Wurst: I know! We spent a week praising Descartes, now it’s time to start shitting on him!
^submit to MHS overheard

-Can these two notions coexist?-Leila

-Summary: having ideas shows we exist, like Descartes says, but only our feelings about them are original (James disagreement). (e.g.: thinking about graduation is not new, but how I deal with leaving these people could be). New feelings are the reason for new actions (connect to Sartre?)
^got so involved in conversation; couldn’t keep up notes. Hands going up everywhere. Realized I was more scared of not being part of this moment than I was of forgetting, so it’s your job to remember how it felt

Essay idea: Only new feelings; argue they can’t reoccur (so we must preserve them through poetry)

What he knows by Casey Rebecca Friedman

Day 4 Winner of Quarto’s 2022 Thunderdome Flash Fiction Contest. View the prompt here.

 
 

He is quiet as he sifts through the rubble. One hand pushes the debris from side to side, avoiding little bits of broken glass and china. Pieces of a home that is no longer in one piece. His other hand runs through his jagged hairline—gray, receding, and sheen with a thin line of sweat and soot.

I stand at the edge of the wreckage, where the chunks of foundation turn into dust. He tells me to pretend the bone crunches are just big pretzels snapping beneath your feet, but I have a terrible imagination, and he knows this. So he doesn’t say anything when I stop where the wreckage begins.

I tell him to be careful, but he just grunts. He likes to remind me—he does not know caution, but he does know war.

He and I see it at the same time. He pauses. I fiddle with my belt loop. I think he is praying that whatever the protruding purple thing is does not come attached to a human. He does not know God, but he sometimes likes to pray to him.

He treads slowly over to the purple object and pulls it from the ground. Debris slides off of it in a shower of little rocks. The object is faded, but still a deep purple. A stuffed toy. Unevenly stuffed and sown, but still a stuffed toy. I watch him examine it, turn it over in his hands.

What is it, I ask, but he knows he does not owe me any answers. With crunching steps, he makes his way towards me, gripping it by the snout. It’s an anteater, I state as he approaches.

It’s not an anteater, it’s a fucking tapir, he says gruffly as he passes me. And its snout is too long.

Durian's Snacking Problem by Renny Gong

Day 3 AND Overall Winner of Quarto’s 2022 Thunderdome Flash Fiction Contest. View the prompt here.

 

Illustration by Watson Frank

 

I knew Durian would show up because well, he was addicted to snacks. What an American concept, right, but it’s true; I’d seen him turn down fresh pages on Porn Day because he “had to save up.” They called him the Snacking Queer after that, but I believed him.

I stood out in the rain until he came running. Durian, I said, stopping him at the door. Will you buy something for me? I presented a wet five, pulled from my itty-bitty shorts.

Come inside wouldya? he said, dragging me in by my shirt. I didn’t have the courage to tell him that last time, the Old Bald Man had scared me. He was so Old and so Bald and he spoke a gnarly Qingdao dialect and I didn't know any of the snacks so I had left, embarrassed.

There he was again, looking at the two of us wetting his shop. I looked away. Durian pulled two bags off the shelf. These are my favorite, he said. Spicy Gluten Sticks. The girthy ones. Not these. He pointed to another bag. They were much less girthy, I could see.

Just these, grampa, he said, in Mandarin. Grampa grunted. Money exchanged hands.

You don’t speak Qingdao Hua either? I asked on our way out.

Is that what you were scared of? You dumb bitch.

The dorms were too far away, so we went to the playing hall.

I’m so wet, he said. It’s all sticking to my skin—I’ll get sick. Do you mind if I take off my clothes? And then he took everything off.

I looked at him, munching heartily, and after a while, I took off all my clothes too. And there we sat, dicks out, going sssstthhh hahhhhh because the Spicy Gluten Sticks were actually Very Spicy.

Untitled by Reese Alexander

Day 2 Winner of Quarto’s 2022 Thunderdome Flash Fiction Contest. View the prompt here.

 
 

Content warning for violence.

When L asks me to watch The Godfather, I say yes. I expect to love The Godfather, which I do for one hour and fifty minutes, the exact time it takes me to realize The Godfather is a horror film. L smiles gleefully at the screen, making mental note of the ambrosia-covered camera angles and dialogue somersaults. I am frozen on the right couch cushion because now Connie with her bruised face and wild eyes is smashing her nice silverware onto her dining room floor.
Then her husband is on her, and I look away.
L asks me then if I like the movie, and I say I do not. He is hurt. Why? He asks. Why don’t you like it? I say it reminds me of a dream I had the night before. He asks what dream, and so I tell him (because he asked).
I am sitting at a dinner table inside a glass box. Outside the box, a crowd of people watch me. Inside, sits a faceless woman.
“Repeat what happened.” I don’t know how she speaks without a mouth, but people seem to manage in dreams.
“The people outside will hear.”
“You’re the one who reported in the first place. We warned you how it would end.”
I look down at the empty porcelain plate balanced on the table before me, and someone else’s face looks back. I smash the plate on the ground, but the pieces form his smile, and somewhere far away I can hear myself laughing. I reach down for the pieces and squeeze them in my hands until his teeth slice through my palms.
I tell L this is the reason I do not like The Godfather. He turns off the TV, and in its black reflection I see his horror.

52 Blue by Renny Gong

Day 1 Winner of Quarto’s 2022 Thunderdome Flash Fiction Contest. View the prompt here.

 
 

Did you know that when whales fuck there is often a third whale—a true bro, the ultimate wingman—who props up his dearest friend until he shudders sweetly into his darling whale lover, which takes about thirty to sixty hot hot seconds. This usually happens in the afternoon.

It breaks my heart, but this is a lie. How many good stories are just lies? Did you know only the male blue whales sing and the females pick the deepest song. Because deeper might mean bigger, juicier. That's how they got so big, the whales. I don’t make the rules.

Did you know that for 12 years a blue whale in the North Pacific called for a mate but got no response because he was singing in the wrong pitch? 52 hertz, silly goose. Was that a lie? No, was it. Please, I’m begging you.

Dreaming of the Garden Village by Nicholas Denton-Cheng

 

Illustration by Mel Wang

 

Jeremiah, or Chen Gao Yi, or the filial son, sat on a dusty rug in an asbestos basement, his head adorned with twelve long pendants of jade, and his body with dragons.
The jade was imperfect: the pipe cleaner did not look the same shade of green as in the pictures. But the dragon, made with sharpie on a white polo shirt and tan, khaki pants, seemed almost living to Jeremiah, flying through his clothes, as if to burst out and smash through the asbestos ceiling. There was another boy who had done that. He had drawn a dragon, and then, once the black eyes were dotted, it came alive and flew into heaven. Mother had told Gao Yi that story, with pictures that showed an inky mass of dragon soaring off, to the amazement of the crowd who had gathered, who doubted that the boy could draw a dragon into life.
Jeremiah admired that boy, for having courage, and being correct in his courage. He would like to sit under the sun as Gao Yi, as his mother called him, and bow to heaven in his funeral costume. But, he lived in America, where everyone knew him as Jeremiah. So, Jeremiah sat in the basement, and was ashamed. But whoever he was, he had an obligation to his mother, so his head knocked to the ground and shook the asbestos ceiling. When Jeremiah was diagnosed with lung cancer some thirty years later, the doctor asked if he had ever smoked. “No,” replied Jeremiah, “but our basement had an asbestos ceiling; a ceiling full of asbestos.”
In that moment in the future, thinking of the ceiling, of the asbestos, of the cancer, of his childhood, Jeremiah fuzzily remembered a story his mother told to young Gao Yi, near the end of her life when she was sad and confused. “Do you want to hear a story Gao Yi? Of when I met the Jade Cat?” she said in Chinese.
“Who is the Jade Cat?”
“When I was very young.”
Then, she stayed silent for a minute, then two, her rattling breath marking the passing seconds. When she began to speak again, it felt unconscious, as if she were just sleep-talking. But, Jeremiah decided, she was not. She was speaking to her son. Her son who in a month would wear a black beanie with jumbo stem pipe cleaners curled into parodic pendants, and in thirty years would be diagnosed with the same thing killing her. She spoke to them, as a mother.

***********************************************

I was in school when I first heard a Red Guard. “‘My fellow revolutionaries,” the loudspeaker called out to us, “stop studying! Stop following the intellectual bourgeois! Work for the people! Follow Chairman Mao!” What an exciting announcement! Some people ran, some walked, but we all left the school, excited by the idea of no more school, of serving Chairman Mao. The first to leave were three boys, Jian Guo, Lian Guo, and Ai Guo. They weren’t related, but they always hung around each other, pulling pranks on teachers and peasants. We called them the three Guos. Once, Jian Guo had thrown a cicada shell into my hair, laughing and running away with the other two Guos. He was the ringleader, and a braggart. His father was a low-ranking party official, so he always talked about meeting Chairman Mao. He was childish, and wanted to be something more than a child. Maybe, if they did not stand up, none of us would have left, and it would have just been another school day... Nevermind. I know that isn’t true.
I ended up working more at my parents’ Coop store, a small shack with a variety of small toys and candies, and a large barrel of propane. We used to use propane lanterns. I was always afraid of lighting our lanterns, that they might burn me, set the entire house alight. And I would just stand there, in my imagination, watching the flickering light consume my house. I disliked fire, but otherwise red was my favorite color. I loved watermelon and pomegranates, oftentimes stealing them from the peasants. My name was Little Red. I wanted to become a Red Guard more than anything.
When I told my mother this, she told me to forget about it. I was too young, most Red Guards were in high school or University. I think she was afraid, but she would never say that. So she said I was too young, and that she was my mother, so I must listen to her. Talking back scared me, so I spent most of every day imagining being a Red Guard instead.
One day, Jian Guo came into our store flanked by his friends, his hip aggressively thrust forward, like a needle pointing his way. He wore a saggy, dark-green military outfit, and a red armband, carrying a small and empty plastic jug. He looked ridiculous, and I later learned he borrowed his older brother’s Red Guard outfit. However, in the moment, all I felt was jealousy. As his eyes scanned the shop, they fell upon me and he asked, “Hey, Xiao Hong, how do I look?”
“Good,” I said truthfully.
He eagerly walked over to me, his hips no longer thrust out. He leaned his head in and conspiratorially waved for me to do the same. When I did, he told me that he killed our teacher, Zhang Lao Shi.
“He was a bourgeoisie. So mean, so cold, thought he was better than us. Chairman Mao honored me personally, gave me this band” —pointing to the large red band, threatening to slip off his small arms—“and said there was no one else like me.”
I couldn’t believe it! Who kills their teacher!? Well, Lao Zhang was alive, just detained by the actual Red Guards. They beat him, then let him return home.
In shock, awe, and jealousy, I just stared at him silently. I didn’t think he was worthy of being a Red Guard, especially if I couldn’t become one. Maybe, he had something I did not. That willingness to kill someone for the cause. But he was such a brat!
He left me, having bragged enough, and pumped propane into his small jug. He left after filling the jug, giving it to Ai Guo to hold, while he kept his hands in his pockets. Determined to find out his secret, I followed behind the three Guos as they alternately made fun of the girls in the class and raced each other. They wandered around the village doing this, only pausing whenever they saw a stray cat. “Cat!” one of them would yell, and then all three of them would chase after it, like a pack of dogs. Ai Guo was funny to watch, because instead of chasing the cats, he would put down the jug and then chase after Lian Guo or Jian Guo. He was probably scared of cats. I was too. Once I got scratched by one of them, it was a deep cut. The wound got infected, and I got very sick. I still feel a little sick whenever I am near a cat.
They managed to catch a lean, orange tabby. She was hit by Jian Guo’s rock, and then, stunned, was grabbed by Lian Guo. The cat flailed in Lian Guo’s arms, scratching and biting him alternately.
Jian Guo shouted, “Hold him, Lian Guo! Get it, Ai Guo! Ai Guo!”
Ai Guo struggled getting the lid off of the propane, he was sweaty from carrying it all this time. Jian Guo kept on shouting at him, and Ai Guo looked like he was about to cry, all the while trying to get off the cap. The cat was really angry now, and she twisted, and scratched, and bit, and I began to wonder if Lian Guo would be alright. Finally, Ai Guo got off the lid, lurched over to the flailing cat, and began to pour. Shouts and yowling intermingled, I couldn’t tell a difference between the two. Just yelling, loud yelling. The cat, now slippery with propane, managed to wriggle out of Lian Guo’s grip, a puff of dust marking its landing. I thought it was going to get away— so focused on the tabby cat, with matted propane fur, that I ignored Jian Guo, and the match that left his hands.
They must have seen me, those boys. I was tall, taller than them, and I did not try to hide. So they must have seen me, just as I saw them, when that tabby cat burst into flames. I used to think I did not stop them because I was scared of the uniform, cowed by the Red Guards. I think I would have stared no matter what though. What can a person do, when a person is mean? I think all of us there, the tabby cat too, were mean. Mean in a hungry sort of way, and hungry in a mean sort of way. Mean.

***********************************************

“What happened to the cat?” Gao Yi asked. All stories that his Mom told had a happy ending.
Xiao Hong paused, smiled, and said, “You know the Jade Rabbit? Up on the moon?”
“Yeah!”
“She’s right up there. She’s the Jade Cat.”
“Do they make mooncakes together?”
“Mmm.”
“What else do they do?”
“Dance, Gao Yi. If you look really hard, you can see them dancing.”

... Gao Yi’s nose began to itch after the tenth bow, so he scrunched his face as tight as he could, but to no avail: he sneezed, then sneezed again, sneezed thrice. The dust, like matted leaf piles meeting strong winds, sprang up and exchanged places on the rug. Gao Yi began to cry.
And continued to cry, alone within the asbestos basement, until the sun rose and his day began in earnest.

Nicholas Denton-Cheng (He/Him/His) is a Senior in CC.

The Orchard by Tasha Tahsa

 

Illustration by Kaavya Gnanam

 

I don’t remember agreeing to split the gas. 

Usually I don’t split the gas. I just pay for everyone’s snacks at the pit stop deli. After calculating the right amount to Venmo, we went inside. Rhea got an egg and cheese. Laura got a Lunchable. Geo got fruit snacks and orange juice. Ayo followed Geo around the store and picked up and put down everything that Geo had picked up and put down. Ayo had decided early on in their friendship that Geo was generally better at most things than him. He was good at throwing a baseball, always got his shoes tied tight enough on the first try, and never ate his food so quickly that he gave himself a belly ache and had to lie down right after. I think Ayo looks up to Geo in a way that I’ve never looked up to anyone before. Ayo’s golf ball eyes, when aimed at Geo, get so big I’m afraid they’ll fly out of his skull from the pressure. I watch their dynamic so closely so often these days that I can’t tell which one of them I’m in love with or if I want them to be with each other. I was putting my Diet Coke and dark chocolate on the counter when Ayo finally got Geo’s approval on a neon green lighter and placed it beside the can with two twenty-dollar bills. 

I don’t remember where we’re going either. 

But I don’t want to be weird about it. Sometimes I think too much to pay attention to what’s going on or where I am or where I’m going. It’s bad on the subway. I always get lost. I never learned how to drive because a squirrel will run by and I’ll crash my car trying to see if that’s a little acorn they’ve got in their little hands. I get fixated on things. Like how on the way to the car, Rhea peels the cheese off her egg and eats it separately. It’s a good thing I’m not driving now. It’s Laura’s turn to drive so she sits in the front seat. Every time she makes a turn she dips her head very close to the steering wheel to sniff if her fingers still smell like salami. 

By fifth sniff I think I have nearly worked up the courage to ask them where we’re going. But I ask too quietly so no one hears and I have to give myself a moment to recover from the unease of this first failed attempt before trying again. I don’t know this group very well, but here I am packed with three people in the back of a four-person car. I met Rhea first and know her best. Sometimes we play basketball together in the park and when the sun pushes light through the branches of the injured trees, making a disco ball of the metal basketball net, and scattering bits of yellow onto her face while she bends down to talk to me, I wonder if I am in love with her too. But it’s probably because she is too tall to get a proper look at me most of the time. I prefer it that way. She couldn’t look at me at the four parties we have spotted each other at either. That’s when she invited me to come on this trip, in the middle of the last round of playing Rage Cage. She said it through large, painful gulps out of the bitch cup, “Dude! You gotta- you need- you need- come on a trip- end the summer with us this weekend!” I guess I never even asked where we were going in the first place. 

I am opening my mouth and closing it for a third time now, sound never seems to escape, I think it keeps getting stuck behind my teeth. I’m running my tongue over the space my jaw would have occupied if I didn’t have an underbite. I put a hand over my mouth to hide how strange this may look. At this point, Ayo and Lauren are screaming over the radio and Rhea has her phone between her thumb and index finger, sticking it precariously out the window to take a picture of a small, charming house on an apple orchard. Geo straightens himself suddenly and hits his knee on a cupholder. Confused from a collision of excitement and hurt, he shouts like a groan, “We’re here!” 

We call rooms first, running through the doors, up and down staircases. The entire house is apple themed. Apple tablecloth, portraits of apples, an all-apple recipe book. There is a bottle of wine on the table when we enter and in an hour there isn’t. It tastes strange, earthy, citrusy, with chewy bits. Closer to a mixture of kombucha and herbal tea than any wine I’ve ever had. I look at the others. They smile at each other in excitement and chug their glasses. Rhea nods and I follow suit. 

 In another hour we are sitting by the pond in the backyard. I can’t see any fish in it, but we hear frogs. We call out to them and to the sex-starved singing bugs chirping from every direction. Ayo is funnier than I expect him to be. We are both laying in the grass giggling at the clouds racing in the wind. 

“Do you think if I try to make their sound that they would think I was one of them?” Ayo babbles when he’s drunk, his voice is sing-songy, each word stumbling onto the other like a toddler’s first steps. He puffs up his cheeks and attempts to croak. It’s pretty good. I smile and nod. 

“Wait, wait. I can do better, let me try again.” 

Ayo croaks again and it is better. I think it’s so good that it makes all the frogs stop sounding. But then so do the bugs. The wind stills. And the sun blinks, like a light bulb, twice before it flickers out. 

I woke up in the room I called dibs on when we walked in, but the furniture was rearranged, disheveled. The room is a child’s room, blue, with green army men lined up like chess pieces on the desk and broken parts from a play kitchen on the carpet. A La-Z-Boy chair faces the bed I’m lying on. In the chair is a woman. She smiles gently, her legs are crossed and her arms are folded. Her hair is short, faded at the sides where it is graying. There are soft wrinkles at the corner of her mouth, smile lines. She wears a button-down with boats on it. 

“Hi, Giza. How are you?” 

I’ve never met her. But maybe I forgot. I tend to forget faces. I’m always looking around. There’s a mirror behind her. Seeing myself in it makes me want to turn my head back to face her. 

“I’m good.” 

I’d hate to be impolite. 

“That’s good to hear,” she reaches into the tote bag at her feet, pulls out a brown notebook, “I’d like to hear more, though.” 

I sit upright from the bed and her eyebrows raise as she watches me, curious and amused. Her ears and nose are tinged red like she’s been out in the cold. She waits patiently for me to begin speaking. The kindness of her gaze makes me feel bad about keeping her waiting any longer. 

“Long trip up here and all,” I speak to her so casually I surprise myself. 

She nods. Urges me to go on. 

“I’m really exhausted,” and I realize I am. 

“Exhausted physically or mentally or emotionally?” her voice trails off at the end.

“Uh, all I guess.” 

“Hm,” she writes something down, “what do you normally do when you’re overwhelmed?”

“I don’t know. I mean- I guess, I... I try to make feelings- bad feelings like that- real. I try to make them into a thing you know. Into art and music... other stuff... all of it, makes them into an object. Something I can hold in my hand. Something I can get rid of- trash- or if I make it clean enough or pretty enough, something to give someone else or share... I guess.” 

I look up. I hadn’t realized I’d been looking down. She nods. 

“Does it make you feel better? Sharing?”

“No,” I frown, “It depends, I think.”

She reaches into her bag and pulls out a mask. It’s one of those flat-printed ones made of the same material as party hats. I can tell what photo was used. It’s of my girlfriend’s face, a picture I took of her a few weeks ago. It is horrific, but the familiarity of her brings me comfort. 

“How about her?” the woman asks, Miya’s face flapping up and down with every movement of her mouth. 

“What?”

“Does it make you feel better sharing with her?”

I bite my bottom lip. My shoulders drop after being held up by tension for as long as it took me to remember to tell myself to drop my shoulders. 

“About most things,” I say. 

“On a scale of 1-10? 10 being everything.”

“7.” 

She nods, pulls out another mask. 

My sister. Picture is from her med school graduation. 

“6.”

Next, my boss. From a photo I took with him two years ago. 

“8.”

My dad. 

“1.”

My mom. 

Maybe I’ve just become conscious of it, but my leg is bouncing so quickly I wrap my hand around my ankle to stop it. 

“Why are you crying?” 

I’m barely crying, but she pulls a box of tissues out from the bag, but to get these she has to pick up the whole bag and dig her hand through all its contents. While pulling out the box, a few more masks fall out along with a glue stick and a hairbrush. One of the masks is of my dead dog and I laugh. Snot bubbles out of my right nostril. 

“Do you want to tell me what you’re feeling?”

I shrug. 

“I don’t know.” 

“Okay.”

She pulls her tote bag open completely and turns it upside down so the contents spill all over the floor. There are only a few of the masks among them. I don’t know where the others could have gone. She picks up two handfuls of chocolate pressed into the shape of communion wafers. 

“Have one.”

“Stop.”

I don’t like food being thrown in my face. For some reason. I expect her to know this. 

“Hey,” she rubs at the baby hairs along the left side of her head, “I get it. This is a lot to be facing all at once. But if it makes you feel better to talk about things, I want you to feel that this is a space where you can be closer to a 10 than a 1.”

“Okay.”

“Do you feel that way?” 

“I don’t know.”

“I have a game. For us to play. Together.”

“What?”

“Each of these chocolates. Is a feeling. I want you to have one of these right now. Because you will have each of these, eventually. And I’m not going to tell you which are which. Because you won’t get to choose which you have when you have to have it.” 

She puts one in my hand. It melts when it hits my skin, my hands are still wet from wiping at my eyes. 

“The anticipation is always the worst part of the process, isn’t it? Not knowing what’ll happen after you eat it,” she says. 

She looks at me while I run my front teeth against the surface of the chocolate. 

“All at once. It has to be all at once,” she gestures in example, choosing to mime and dropping the whole chocolate straight down her throat.  

“Okay.”

When the first one began to melt on my tongue, I threw up immediately. 

She frowns and I feel so guilty. I apologize. 

“I’m sorry.” 

“You can wake up now.”

I wake up in the field, empty with all the trees gone. The clothing I am wearing is pressed pristinely to my shivering body. I can’t remember ironing these clothes, usually everything I own is to some degree wrinkly. Goosebumps peck through my skin. The standing hairs on my arms give me the silhouette of a porcupine. Blades of grass bite at my back. 

“Whoa there, rockstar,” Lauren’s face bobs into my field of vision, looming over me. Her hair is long enough to tickle my nose. I sneeze. 

“Have they kicked in yet?” Geo grins. 

I lift myself off the ground. 

“Wait, did you shit yourself?” Ayo’s eyes are sad with compassion.

Alarmed, I press my hands at my back pockets. The sticky brown squish is coming from inside them. I pull out what remains of the squished chocolates. 

“I fell asleep?” I ask. 

“You were so gone.” 

Tasnia whose last name is Tahsa but she goes by Tasha is a class of 2022, CC, Psych Major and MESAAS concentrator who has devoted her brain to understanding feelings, no matter what it takes. Any pronouns.

Tsundoku by Ginnie House

This piece was originally published in Quarto’s 2022 Spring Print.

 

Illustration by Watson Frank

 

Content warning for sexual content and self harm

- Begin with the idea of books collecting without realizing and how she was able to find herself doing this when sitting up in a tree - reading Esperanza Rising and feeling her fingers harden from turning pages in the cold. She opens her mouth and something glowing and sticky comes out, the size of a crabapple. She holds it in her hand and runs up to her room, hiding it in her piggy bank.

- A second moment – it’s the prom afterparty and she’s in her childhood bedroom with her best friend to burn needles and dip them in plastic cups of vodka. The friend with Herbal Essenced shampoo stick and pokes a sunflower on her thigh and it’s lovely in here and she feels the light again. She pretends its puke from cheap booze and Taco Bell - runs to the bathroom to look in the mirror. The glowing orb comes out of her mouth, this time the size of a lime. She reaches for the piggy bank next to her friend, sleeping soundly, snuggled against a Build-A-Bear. Cross legged on scratchy carpet, back against the opposite side of the bed, she opens the pig’s belly for the first time since she was little in the tree - the ball has become leathery and cracked, waning beams of light try to push through the deep crack down the middle. The next morning, she finds an empty pickle jar, fills it with vinegar and honey and salt and puts both orbs inside.

- Then a sad and fucked feeling. Smiling family photos lay broken on the marble floor. She opens her mouth and prays the orb will come to stop this feeling from washing over, it does.

- The boyfriend questions the pickled orbs lining the bookshelves in her apartment – she shrugs it off as Tsundoku.

- Her roommate gets drunk one night and won’t stop after she asks so nicely - she pries the orb out of her throat and burns it.

- She goes to a reading downtown, and after too many too minerally glasses of white wine someone asks if she wants to go home with him. She politely declines and calls the boyfriend and he asks her to meet him at the University center and they step into the red stairwell where he tastes her - “Smoking makes you taste like metal.”

- The picnic blanket comfort.

- Then going to brunch the next morning and finding out he's been dating her the whole time. Her with the kind eyes and the self-crocheted bucket hat. She drinks more and stares at the slut walk protesters - wishing she had a reason to be proud too. She goes to the bathroom and forces herself to puke, letting another orb slip out, leaving a content smile on her face. She rinses it off in the sink and wraps it in a silk handkerchief she keeps in her backpack.

- She keeps her feelings pickled away, it’s Christmas at some shitty apartment and George wants to give Mary the moon and she laughs hard at her dad’s weeping face.

- Two years later, with the same boyfriend with a girlfriend who fucked her anyways, but then left said girlfriend for her and they’ve been together ever since asks for more than she can give and they’re on their roof, and they’re both staring at her fraying shoelace. So she tells him about the pickles, what they are, what she does.

- He responds: “You have to strengthen the muscles around your heart.”

- She looks at the freckle on his earlobe: “I don’t want to. I don’t want them now, I want them when I’m old and have nothing else to do. Maybe you’d like them.”

- They break up that night, she doesn’t want kids, she doesn’t want to settle down yet – she’s always scared that he’s fucking someone else anyways.

- “I can’t get you off my mind... I can’t get you off in general...” singing Japanese Breakfast and driving in a car alone – she’s laughing and crying and it’s sunset and the sun is so perfect it makes the car feel like it’s swimming.

- She drives to the old hookup spot in high school and watches the sunset. The pain hurts so much and she feels the orb rising, how easily all of this can slip out into her hands– but this time she doesn’t. She covers her mouth with her hands and swallows the orb. She screams in sobs, holding her shoulders and rocking back and forth in the car seat. She hits the steering wheel, the roof of the car, slaps herself. She breathes wet and heavy sighs, looking up into the veiny branches of the trees. She wonders if this is what building the muscles around your heart feels like. She laughs and laughs wiping tears and licking her fingers like it’s Thanksgiving. She feels numb. Cranks the car and drives back home.

- End with every birthday after that. After blowing out a candle, she takes a pickled orb from the jar and eats it – fully feeling every morsel of memory. Her life hurts more but she tries to swallow everything. She stays single. She grows old and happy there – lets friends and young ones be safe there, she keeps eating memories. The last one left smells of Herbal Essence and ink and she laughs, watching the sun move across her living room.

-

Ginnie House (she/her) is an actor, playwright, and Dolly Parton enthusiast from Atlanta, GA. She is now working on her Bachelors in American Studies at Columbia School of General Studies. She is honored to say this is her first published work, and is looking forward to sharing more of her work in the future, wherever that may take her.

I'll Be Thinking of You by Brigid Cromwell

 

This piece was originally published in Quarto’s 2022 Spring Print.

Illustration by Rawan Hayat

 

Content warning for substance abuse and violence.

I don’t think anything looks bad on you.

*

I cried all the way to your apartment that night in late August. The air was just beginning to grow cool as summer faded into fall and sunsets turned deep orange and the whole world seemed to breathe deeply and slowly in unison like a chest rising and falling and rising and falling and descending into sleep steeped in sticky molasses and warm honey. My dad was in the basement folding recyclable cardboard into neat squares and ripping egg cartons into quarter-sized pieces when I left. I took his car without asking. The engine light was on and one of the headlights was out, but you were alone in your apartment crying so I dug my heels into the carpet and pressed on the gas pedal before anyone had a chance to stop me.

I’d only seen you cry twice in the eleven years that I’d known you. The first time was in sixth grade after Social Studies class. I remember the hallway smelled like sweaty track uniforms and peanut butter and jelly sandwiches on white bread. You pulled me aside to tell me something—you said it was a funny story about your dad, he’d done something crazy again. That was the first time I’d heard the word cunt. I didn’t know what it meant but I knew it wasn’t something fathers should be calling their daughters. You said he was drunk, and not the kind of drunk your grandma got during Sunday night dinners with Wheel of Fortune playing in the other room. He was drunk drunk. You knocked him out that night with a punch and then locked yourself in your room. The knife that you kept under your pillow stayed by your side all night, but you didn’t have to use it. Your dad slept on the tiled floor downstairs in a pool of sweat and whiskey and only moved when you tripped over his arm on your way out the door to catch the bus the next morning. I wanted to hug you in that moment—I wanted to take you to my house where my mom made baked chicken and lima beans and my older sister braided my hair on picture day and my dad slept on the couch and didn’t get drunk and showed his love for me through his absence. You would be safe there, just like I was.

I hugged you when I got to your college apartment that night like I should have done in our middle school hallway. We walked around North Philadelphia smoking and crying about expectations and incongruities and boys disguised as men and drug addiction disguised as a spiritual awakening and sore throats and dark urine and pregnancy tests in the woods behind my house. And I confirmed what I knew at twelve years old which is that I loved you in a way that made me high and I loved you in a way that made my nose drip and my vision blur when I laid in bed alone in New York City and tried to imagine a world without you in it.

*

The moonlight illuminated the whites of your eyes as we walked along the train tracks heading towards the city. It was the end of January and our cool breath mingled with the smoke tumbling out of our nostrils like stratus clouds or spiderwebs or cotton candy being spun at the carnival in hypnotic loops. We climbed up to the overpass through dry weeds and frosted thorns with broken beer bottles and empty cans of spray paint under our feet until we found a spot to sit and watch the stars. This is how we’d spend our nights in a liminal space of wintry solitude, concealed by the darkness of the night and held up by sturdy concrete slabs. Every once in a while a car would pull up to the train station and our hearts would race. We’d clutch one another’s mittened hands and tuck our noses to our knees, each of us willing the other to check for red and blue lights. Some nights we’d run, ripping our sweatpants on jagged wire and tripping over loose rocks. Other nights we’d hide, press our bodies firmly against the wall and listen to the sound of our heartbeats in our stomachs until the lights disappeared and the stillness returned. When I got home, I’d drop my clothes behind the lawnmower in the garage and rub my car air freshener on my wrists before creeping upstairs past my dad on the couch. Looking back, we’d refer to this time period as “the dark winter.” We’d wish we had done things differently. Except not really.

*

Your dad said he would cut your tattoos off with a knife when you first told him you were interested in body art. Today you asked if the raven on your ribcage looked out of place. I don’t think anything looks bad on you.

Brigid Cromwell is a senior at Barnard College studying English and film. When she’s not waxing poetic about her sixteen year old chihuahua, she enjoys making collages out of lottery tickets and CVS receipts. You can find her writing on Instagram @brigidcromwell.

The Alligator Head by Christiana Drevets

 

This piece was originally published in Quarto’s 2022 Spring Print and chosen as the Fiction Winner by Julia Phillips.

Illustration by Ashley Yung

 

Elise and I sat draped over the sea wall at half past four and the sound of the dock buzzing around us reminded me of bugs. It was painfully humid. The full force of a Florida summer was pressing the city between its palms and the whole of St. Augustine languished.

We were watching the two ghosts that waltzed through the flower bed outside the Castillo, trampling the last little wiltings that had made it to August. At least — I was watching them. Elise had an arm thrown over her eyes and might have been asleep.

The ghosts were dressed in formalwear from sometime over a century ago and were not a part of the tourist attraction. They were an amenity. But as sweat-foreheaded and pinched looking tourists handed over their entry fee to the Castillo de San Marcos, none of them even looked over at the ghosts. Instead, they hurried inside the old Spanish fortress as fast as they could, more excited about the prospect of air conditioning than learning about conquistadors and 16th century defensive architecture.

I shifted my attention from the ghosts to the ticket booth. I tried to estimate the amount of money the place was making by the minute just by romanticizing the city’s colonialist history of displacing and murdering the Timucua tribe. I figured that every 9 minutes, it was enough money to pay my monthly rent. Every 15 minutes, it would be enough to pay my rent and buy Elise and I the thing we’d been coveting all summer: the giant preserved alligator head at the antique shop up on Flagler.

“Hey,” I nudged Elise. “You think there’s any chance we could sneak in behind a family and get inside?”

Elise groaned. “Why would you even want to go in there?”

“I’m so sweaty I think I’m going to die.”

“Let’s go to the beach then,” she said, still not bothering to move her arm from over her eyes.

“That makes things even worse, you end up salty and sweaty,” I complained. The ocean was gross this time of year anyway...all brown, tepid, and curdled from sunscreen and skin slough and not even cold enough to feel good. “Plus, my car still has a flat tire and I’m sure as hell not walking that far in the heat.”

“Then fuck off and leave me alone. I’m trying to meditate.”

I frowned. Elise took up meditating about once a year, usually right before she was about to do something drastic and likely perilous. Elise’s meditation was portent of doom. I’d learned this the hard way during the past few years. One day she would try to get me to do mindful breathing or sun salutations with her and then the next week I would get a call from her at 3 in the morning asking if I could pick her up from the waterfront and to make sure my headlights stayed off in case anyone was watching for lights.

One fated time Elise had climbed the fence to the “Fountain of Youth Archeological Park” where it was advertised you could drink from “Ponce de Leon’s Spring of Eternal Hope, flowing forth for centuries!!” She had been caught by security and was forced to run from the area, falling and ripping her knees open in the process.

When I had inevitably picked her up, I asked her why she did it. She responded, “I wanted to know if it was real.” I had been incredulous. “Tourists go in there every day and none of them come out changed. You think if it was real, you could get in for a $30 ticket?” She didn’t even realize I was making fun of her as she solemnly bandaged her own knees, smearing blood and crusted Fountain of Youth dirt all over the inside of my old Ford Escort. “I kind of do feel different though.” She had said looking up at me, eyes wide and bloodshot with a post-adrenaline-high and laughing, “I bet I won’t even age now! You’ll get old without me.”

While I was caught in reverie, the two ghosts I’d been watching stopped dancing and drifted around the edge of the fortress, out of view. This was depressing, I needed to get up.

“C’mon,” I tried again, trying to rouse Elise. “Let’s go to Minnie’s.” Minnie’s was the antique shop up on Flagler, on the way out of old town. It was the purveyor of the giant dead alligator head that I absolutely needed to have.

Elise didn’t budge. “We were just there yesterday, the head was still there.”

“Yes, but what if someone bought it today? Please, I have to know that it’s still available, I’ll die without it.”

“You just said you’d die of sweating too much.”

“Yeah, well I guess I’m just fragile and wilting. Please please please.” That’s how it was with Elise, I felt like a kid around her, pleading for her attention, for her to bestow me with her time and approval.

She shifted onto an elbow and winked one eye open at me. “Fine. But then afterwards you’re going to do some restorative poses with me to relax. You’re too stressed out all the time.”

I jumped up, energy restored at the idea of going to Minnie’s to see the alligator head.

“I don’t even know what you like about the thing.” Elise grumbled as she reluctantly got up.

This was the thing about the alligator head: it was sublime. I’d seen taxidermied alligators before, little shriveled ones that looked like prehistoric raisins. But this one was easily five times the size, from skull to maw at least four and half feet long. All the teeth were still intact in the jaw, pried open in perpetual fury, and the dried out husky skin had retained an almost luminescent shade of green. It was so ridiculously big I could only imagine the size of the body that had once been attached to it. And it was even more ridiculous that his disembodied head was there, preserved for all time in a dusty antique store filled to the brim with Disney novelty mugs and dead people’s decorative silverware.

I had gotten this feeling when I had first seen the head, that it was meant to come with me. I mean, I got feelings like that a lot, funny little instincts that stopped me where I was and held me captive. I became obsessed with the head. I felt that if I took it with me back to our dingy two room apartment, it would turn our lives around. Maybe it wouldn’t find me a better job (working nights at a hotel desk was fine) or even help Elise prevent more meditation phases, but I had the very strong conviction that the alligator would help us. It would save us. I figured these instincts were like the ghosts by the Castillo, most people didn’t even look for them or try to look for them, so they assumed they weren’t there at all. It was up to me to make sure I listened.

It took twenty minutes to walk to the store and when we pushed the door open, the cool wave of air almost brought tears to my eyes. Minnie, the namesake of the antique store, had died sometime in the 70s from a jetski accident and now the owner of the shop was a bald, glossy- eyed guy named Antony. I hated him because he wouldn’t sell me the alligator head on discount. He wanted $500 for it.

“Hi Tony!” Elise called as we walked in the shop, letting the door bang behind us out of spite. Tony looked at us as if we had crawled up from hell to torment him. To be fair, it was probably annoying of us to come in here every day, wandering around ready to glare at anyone who got near the alligator so as to scare off prospective buyers. But at the same time, we weren’t really disrupting business because there was hardly ever anyone else in there but us.

I started towards the back of the shop.

“I sold it,” Tony said, saying the words with obvious satisfaction. A dull shock went through my body, my brain took a few extra minutes to catch up.

Elise also looked shocked. “The alligator head is gone?”

“Sold it a half hour ago to a couple from New York,” Tony confirmed.

That made it even worse. “You sold it to snowbirds? My...my head?”

He snorted, “Hardly call it yours. You couldn’t even afford it if it was half off.”

That was a low blow. Sure, the money I made on minimum wage (which remained pitifully low in the South) at the hotel didn’t go much further than paying my half of rent and I needed to buy a new tire before I could think about buying an expensive antique. But Tony had no right in pointing that out like it was a sin. There were plenty of people in Florida like Elise and me. We weren’t rich enough to enjoy the good parts about the state, but it was hard to care because everything was just so passably decent all the time. Even the oppressive heat felt like home. It was easy for us to have nothing permanent, to just keep living until we died from skin cancer or just faded into the background like the other ghosts.

I walked forward, dazed, towards the place where the head had been. There was now a crudely etched icon of St. Augustine of Hippo. A plaque beneath it claimed it was an antique from the original church the Spanish had built dedicated to the town’s namesake.

The head was really gone. I felt the loss deeply, a gulf in my chest. I sensed Elise start to get angry. Like me, she felt that we had a claim on the gator. We thought there’d been a sort of understanding with Tony that eventually we’d come back and actually get it. He knew we weren’t some fly-by-night tourist customers. Elise clenched her fists and opened her mouth to let Tony have it, but then her shoulders stiffened. She took a forced breath and I could see her mentally reprimanding herself to be mindful and karmic, part of her meditation practice.

“Okay, let’s go, come on.” She grasped my arm and her hand was sticky with dried sweat. Tony’s face was rapturous as we left.

In disbelief, I stumbled out the door and stood facing the street. Across the intersection, two ghosts wearing 1920s swimsuit attire puzzled around like they were lost. On the other side, a group of teenagers stood attracting mosquitos under a tree half-buried in Spanish moss.

“I can’t believe this,” Elise said. I didn’t have the words to respond so we started walking back towards old town. When the streets turned into bricked cobblestone again, I cursed.

“I’ve got work tonight.”

“When do you go in?” Elise asked.

“Seven. I’m supposed to cover for someone.”

We walked towards the main street. We usually came here for fun to watch the tourist scams, or just to wander around when it was hot because all the shops had AC and our apartment didn’t.

“I want to get a drink first,” I declared, “the Greek place.”

Elise waited while I went into the gift shop on the end of the street attached to an old Greek Orthodox Shrine. We had discovered it was the cheapest place to purchase a soda and I needed the caffeine for my shift. To get to the sodas, I had to maneuver through a small chapel with lighted prayer candles and avoid with the dozens of saints that were engraved everywhere on souvenirs.

I paid the old Greek lady at the register and glanced out the storefront idly, only to see that Elise was talking to a couple in the parking lot, using her hands to gesture wildly. Curious, I thanked the old lady, walked outside, and went to see what was happening. Elise was talking to the couple in front of their car. And then I saw why. In their backseat, clearly visible through the non-tinted windows of their rental car, was the alligator head.

“I know it sounds crazy,” Elise was saying as I approached, “but that alligator uh, means a lot to us and we would really love to have it back.” I was horrified. Not only had the alligator crossed paths with us here, fatedly, but Elise had decided to talk to the couple without even consulting me first. I wasn’t sure if I would have chosen the same approach. The couple seemed like typical tourist fare — 70s, wealthy, ready to be catered to.

“I don’t understand!” The wife was saying. “We didn’t take this from you, we just purchased this at an antique shop! It’s a souvenir!”

Elise stayed stolid. “No, I mean, it wasn’t ever supposed to be in the shop. It was stolen from us, and it must have ended up there. I just saw it in your car and had to stop you when I saw you getting into it. Please, you must have a price.”

It was bold of Elise to even mention a price, because it assumed that we could pay it. I’d barely had 40 dollars to begin with and I’d just spent some of it on soda.

“No, I ... we just bought it! And it’s the perfect thing to capture our time here...” the wife trailed off, and I could tell she was displeased, verging on hysterical.

Elise changed gears. “What if I told you I could give you a better souvenir? Maybe we could trade?”

My throat felt dry. Elise was planning something horrible, and I was about to be dragged into it.

“What are you talking about?” The husband cut in, he was wearing a fishing hat that looked out of place on him.

“I’m talking about actual antiques, from the original Conquistadors.” The couple raised their eyebrows in distrust, but Elise plowed on. “Look, we live here.” She gestured towards me as if I was proof of something. “We have insider knowledge. For example, I know that original silver items from the Spanish Era go in museums, they’re worth a lot. Especially Spanish silver that was stolen by pirates and then stolen back by slaves. I have some.” From her pockets, Elise produced three silver spoons. I stared at them. They were most definitely spoons from Minnie’s Antique shop. The place had a million old spoons, mostly from the 1970s, definitely not Spanish silver. And I hadn’t seen Elise pay for them which meant she’d probably swiped them.

It was harebrained and manic, even for Elise’s standards, but the couple looked hooked. Maybe it was the heat, eradicating their brain cells, or maybe it was Elise’s magnetism. She was good at getting away with things.

“How do we know it’s real?” The husband said, trying to pretend he wasn’t obsessed with the idea of pirate spoons.

“I’ll go with you to the antique store right now and you can see what Tony up at Minnie’s Antique says. He knows all about them, he’s the one that appraised them!”

This was obviously a giant bluff, but Elise had them in her pocket. The wife nudged her husband, “Yeah, Tony, that was him, the guy who ran the antique store...” She looked uncertain, glancing between Elise, me, and the alligator head in the backseat of the car.

“Look, this is desperate,” Elise continued, “and I can’t believe I’m even making this offer, but that alligator head belonged to the... gator that killed my uncle and it helps us remember him. He was mauled right after he got home from the Vietnam War.” She was laying it on thick. “Anyway it also killed his newborn child who he was holding at the time. My baby cousin was the last thing that gator ever ate before the cops shot it and we took the head.”

The wife was horrified. The quirky charm of having a taxidermied Florida souvenir, ruined by the idea that the gator was a baby killer.

“Alright, we’ll trade you,” the man said suddenly. He seemed like he wanted to get rid of us more than anything. I couldn’t believe that Elise’s lies had really worked. He clicked a button on his key fob to open the back door. The massive gator head faced us, and a feeling of potential energy filled me again like it had when I’d first seen it. The momentum of centuries was held within this prehistoric creature’s preserved spirit, ready to guide ours forward.

I lunged to pick it up before the couple changed their mind. Elise handed the man the spoons.

“Thank you so much you two, have a great vacation.” Elise added, coming around to help me. “Oh and also the restaurant up on the corner has Mexican beers for $3 during happy hour.” The wife looked shellshocked.

Together, Elise and I lugged the head back to our place. Seventeen blocks, and I had to keep shifting my grip because my hands were sweating. But nothing could put a tinge on the joy welling in me from the acquisition of the gator. I didn’t even know how to start thanking Elise yet. She didn’t look like she was expecting thanks, she just looked stoic. As if she carried alligator heads around every day.

“Don’t you have to go to work?” Elise asked when we finally got to our street.

“I’m not going in today, I’ll call out,” I responded. I couldn’t even dream of going to work. Not when something this momentous had happened. When the gator head was finally mine. It was too hot to go inside the apartment yet, so we sat in my car with the engine on and let the AC blast. The gator head sat in the seat between us, magnificent.

“It’s perfect,” Elise said in exultation, running her hand over its scales. “It has such an energy.”

I grinned and picked it up, turning it over in my hands to admire it.

That was when I saw a blemish on the bottom side of the jaw. The green color looked like it had flecked away and there was a yellow glob of paint peeking out. I frowned and looked at it closer, realizing that one of the scales was peeling away. Curious to see what taxidermy looked like on the inside, I peeled it back further until I revealed a hollow inside frame of wires. Confused, I peeled off the loosened scale next to it.

The car’s AC sputtered and let out a puff of dust. I let out a hoarse laugh.

“What is it?” Elise asked.

So I turned the head to show her. Under the gator’s skin, there was a tag reading “STAGE PROP — Fountain of Youth Archeological Park.”

Elise and I looked at each other for several moments as we mulled over this new information. The head was not real. When the silence got too heavy, I started the car and backed out of the parking space. I drove us back through old town. Outside the Castillo, the ghosts were were still waltzing over the flowerbeds. We passed over the Bridge of Lions, the car lopsided and listing sideways on three tires.

“You want to go to the beach?” I asked.

Elise picked up the gator head and put it over her own head, her neck fitting between the hole in its lower jaw. She wore it like a crown, her face just visible between the teeth. “Yeah,” she sighed. “Let’s go.”

Christiana (she/her) is a senior at Columbia College studying poetry and literature. She spends a lot of time looking for bugs in Riverside Park, making overly-specific music playlists, and watching especially wretched horror movies. She is from Southern Oregon, but also recently lived in Florida for a few humid years.

To Can Peach Jam by Ellie M. Windsor

 

This piece was originally published in Quarto’s 2022 Spring Print.

Illustration by Mel Wang

 

Turn down the AC, open the windows. Check the pantry’s top and bottom shelves for jars, the drawers for tongs and funnels. In the shadowy drawer-back, curved red rubber. Behind the paper towels and Lysol, diamond-faceted jars without lids. A liter Ball jar filled with rings, no lids. The lids can’t be reused. Maybe I missed a stash in the drawer. But no, she would’ve put it with the rings. They’re not in the same jar — no not at the bottom either. Is there a box, or crate, that the jars came in? It would be green, with deflated shrink-wrap.

Maybe it’s in the garage. Somewhere behind or between boxes of dried-out markers and newspaper-veined piñatas, tree-trimming shears, drill bit sets, raisiny vacuum bags. I consider it a failure when, sweaty for the wrong reasons, I buy 50 lids on Amazon. I go inside and turn the AC down, but I leave the windows open, humidity ebbing in.

At the farmer’s market, I guess how many more peaches will make five pounds as each drops into the bag. I’m thinking of this as I press an overripe peach and the skin skids off under my thumb, leaving it printed with bruise-yellow juice. Do I put the peach back or in the bag? I drop it in, deciding that this must be five pounds. It’s 4.5 on the fruit-stall scale. 4.5 pounds is enough for four 8 oz. jars. Once the jars on the pantry floor lined the counters and hung in a shoe-rack on the door, hundreds in the kitchen in strange places, dozens in the coat closet, winter-ready on the shelf above the rack, but this year there will be four tiny jars.

The wounded peach oozes on the others on the way home. I touch its juice on every fruit as I twist their halves to reach the pit and dice each ruby-and-topaz dome. I always liked unpeeled fruits for jam, that the skin never disappeared into the spread. We had plum jelly like pink lucite, eaten with cheese on crackers, and strawberry jam full of dainty seeds and raspberry jam with seeds like boulders that lodged in back molars, canned tomatoes peeled and organlike and labeled with the date, smooth, spiced apple butter in little 4 oz. jars to give as gifts with blank To:/From: stickers ready on top, pale bread-and-butter pickles floating among coriander seeds like whales among fish, sliced jalapeños to top February nachos and slim green beans for March dinners in the same shade of damp green, nectarines that broke down into a sparkling golden jam. But I wanted fruits with skin — figs, cherries, pickled grape tomatoes, my peaches with their prickle-dewed skins left on. She knew this, and though she would have preserved them anyway, she did so then for me.

See, now, how the sugar softens each yellow cube, but the skin doesn’t seem to even know? And I realize that I don’t know whether to boil the water for the jars now, or once the fruit’s in the pot, or once it’s begun to simmer — they’re supposed to be warm for the hot jam, but what is warm, and how fast does glass cool, and how long does a batch of fruit this small take to thicken?

I fill the medium stock pot with water and set it on the back right burner, my phone timer preemptively set for 15 minutes, which I think is the right amount of time for sterilization. The fruit goes in the pot with its thin, grainy proto-syrup. Soon, tiny bubbles ascend the sides. There are still no bubbles in the stockpot, though, and I turn the back burner from 6 to HI. The gas-flame hisses. I remember now why canning-time was the only time we ever saw her shoulders (she didn’t like her arms). She wore a tank top and shorts, uncaring of the splatters that sometimes scarred, while we sat next to the AC unit in swimsuits licking sticky spoons or took turns milling tomatoes on the porch.

When the water starts to boil, I place the tongs on each jar with two hands and lower them into the pot with one. I draw back, expecting splashes or shatters, and am pleased that they only rattle. It’s a rattle I’ve forgotten to remember. I try to think of the last time I heard it, but it was hard to mark the lasts. I’m still eating jars of her pickles and preserves, bringing out one jar at a time from the third shelf of the pantry and cracking the lid like it’s her very body, broken for me. Which it is, was. Not just broken up by splatter-stains and such, but broken down in the way you might break down a dresser or cabinet to oil the hinges and drawer-tracks, to re-sand and re-stain, to rebuild.

She preserved what she grew, refurbished our furniture in a rotating cycle, cut up the quilts on the beds without warning to fashion them into new ones. Eventually the patterns became erratic and the stitches wobbly, the marigolds planted next to the beans instead of the tomatoes, but the improvements never stopped. Today, stacks of quilting squares sit in a plastic bin at the bottom of the big bedroom closet, unspackled holes dot the walls like the remnants of a woodpecker’s manic rampage, and squirrels hang from the birdfeeder looking forlornly at the garden once full of easy pickings.

The sound of the house as it was has lulled me into letting the jam slip out of its simmer. I know before I reach for the wooden spoon that the bottom of the pot is crusted with burnt sugar. Turn down the heat, pull a cutting board from the thin lower cabinet, grab lemons from the fridge and the measuring cup from up above, cut, squeeze, get the sieve, strain the juice into the jam. The timer goes off, and, as the acid sets the peaches’ pectin, I turn off the back burner. How do I pour the water out of the jars? Should I have boiled them upside down? I clamp the tongs on the first jar and, gripping the handles with a fearful strength, angle my elbow downward so most of the hot water can stream out. In between jars, stir the thickened jam, heat on 2, spoon skidding across the shouldn’t-be-bumpy bottom of the pot.

When the jars are lined up on the counter and the jam is thick and done, shallow spoonfuls of amber slip down the funnel’s bowl. After filling each jar to the top, or as near as won’t let any jam suck out with the air, there’s just enough left for another 4 oz. jar. I look toward the pantry, where dozens of them wait in a wide box, then back to the water reboiling on the stove. I pick up the tongs and slowly drop each jar into the water. Even if I did everything right, the jars still might not seal. The jars could last for months or only two weeks in the fridge, their lids unindented, their jam spread on toast with lunch and dinner, stirred into oatmeal every morning, spooned into thumbprinted shortbread.

I take a new jar from the box in the pantry and place the sticky-filmed funnel on top. Choose a spoon from the drawer. Stand against the closed pantry door, and, as I eat a spoonful of peaches turned inside-out and flecked with scrapes of sugar-fond, turn the jar in my palm. The pre-filled From: ______ line of a frayed and stubborn sticker tells me what I don’t need to remember.

Ellie Windsor is a senior in Columbia College studying Creative Writing and Math. She is from Austin, Texas, and lives with her cat, Loretta.

Bedford, NH by Eleni Mazareas

 

Illustration by Mel Wang

 

Content warning for brief mentions of eating disorder.

In the parking lot of some butt-fuck stripmall she watches me try to eat our pizza. Before each bite, I take a breath, as if everything unwanted will stretch its limbs into the air of her car... leave me finally. She remembers when I got frantic. I feel her eyes, their obligation to observe me and the slice in my hand. I am not ashamed of my unraveling-- behind her eyes a fog settles, too. When it formed, I do not know. But for months, I’ve watched its fingers toy with her face, vacate her of life. Clog her thinking, dim her slowly.
Within the wells of my body, a grief churns... wondering why, when we have both turned so muted in our color. The whole parking lot is hollowed, spare some minivans and a jostled THANK YOU bag. “Final Sale” banners hang on awnings; businesses withdrawn. Plots of soil and an emaciated tree stand between us and the buildings. I feel for it, its unconsented existence in suburban hell. Even if we drive, flee this mundane, what becomes of it.
Oregano reeks in the car, so she rolls down the windows. The stench haunts me like a thought. Coats the skin on my arms, sneaks into my body where I don’t want it. I itch. This place is shit, she says, and I can only say I know so many times. Now, I do not know what to offer her. I tell her Soon, like we’ll drive far enough away eventually. Wake up somewhere, hurting less. Maybe light will flush our cheeks with something abundant...
Someday, not today.
After this, I’ll drive home and watch the TV until I forget dinner. She’ll go back into her room, shut the blinds. Let comforters pin her down, contemplate the ceiling paint. All unwilling. Outside of the passenger window I look at some leaves swirling in the lot. Weightless in October’s breath... dead, dancing. Upon the gear shift her fingers hover, drum the leather.

Eleni Mazareas (she/her) is a first year at Barnard College. She is planning on majoring in English and Creative Writing and minoring in Modern Greek. When she’s not at the souvlaki cart, you can find her cocooning on the fourth floor of Milstein.

Apocalypse by Judy Xie

 

Illustration by Bella Aldrete

 

[APOCALYPSE: THERE ARE 9 LEVELS IN THE AZTEC UNDERWORLD]

LEVEL ONE: The non-grieving of the non-layered hair.You can’t assume anything about anyone because people are rarely what they seem. If anything most people will be who they are not because we’re terrified of ourselves. Layers, Luc, we’re ribboned this way like cut up poultry.

I’m looking for something different–

I said– after taking a chair in the walk-in barber shop in an unfamiliar city. The old man stares at methrough the mirror. Do what you want. I trust you, which is a silly thing to say to a stranger. What Imeant to say: I don’t want to be this girl anymore. When he is finished, I do not bother looking in themirror. I nod. Thank him. Pay. And leave.

Sister observes my hair all chopped off, up to my chin. She asks me if I like it–- parentheses (are youokay). She is right to be skeptical.

What if witnessing the end of the world is beautiful? What if the sun dies softly onto the cracked earth and everyone is sitting on their porches- watching and waiting and perfectly okay? What if witness isn’tsomething that you bear but something that you birth? A wide-eyed devastation- the antithesis of dead in a ditch. Here’s the thing about growing up reading novels only ever in the twilight of human age: it makes you believe you can be okay with anything.

LEVEL TWO:The ascent of the high pony. Instructionsto the barber: I must be able to lift my hair fiercely until everything is an upward stretch. My hair can not get into my eyes- it can not get in my way, so rid it of parts. This lasted for years.

I remember a manic landscape. Giant, smoothed patios with popsicle palapas, always trimmed into fantastic shapes. Violets, roses bursting and us floating like confetti onto a wide chlorine blue. I knew then–passing beer bottles over water, floating next to thin white girls, tanning in the heat in their bathing suits burning fresh-slapped . Us, tugging at straps in oversized bikinis (because god-forbid, A-cup at 14). Laughing too hard and glancing sideways to see if the boys had noticed–I had fallen into that world. Sister says: drinking before college- my, it was only sophomore year- you played lax. What were people supposed to think? I don’t know what I expected, except to be good and expected, to be– longing a world that I was uneasy in.

I went about it all wrong.

I got my license early. The morning of my 16th birthday. This is also a sign my sister remarks. The way my hands clasped on to the steering wheel- manicured, of course- never self-done. And how every summer, runs in reverse, every year: a series of driving down I-287. A Permit. No License. A car bursting beyond capacity- some version of NEON TREES’ ANIMALS or MR. BRIGHTSIDE exploding from a beaten, run down, crazed Honda Odyssey.

But the Aztec afterlife has 22 levels 13 for Heaven-

The other 9 are for the others- the people who die drowning, ill, old-- unremarkable deaths. Where you end up depends on how you die.

This is how I die:

LEVEL THREE: It’s important to note that the high-pony meant I could do absolutely nothing else with my hair. Apologies to the missed bangs and mohawks.

There are some rules you learn early on in suburbia. (1) eating is inherently just fat (this is because we don’t walk anywhere). (2) Playing sports means dreaming about the day when you can finally stop, thinking maybe it's college and maybe then you could have bangs (this is because we have fields and fields and soccer moms). (3) I could tell you about how the lacrosse girls would sit with piles and piles of food in front us and the 2.9 hours of the 3 hours we spent together would be caricatures of frozen faces staring and not eating and the way/ after a certain point all the faces will look the same/ frozen into the dead earth. But this narrative exhausts me. It never truly worked or maybe I never truly worked in it. (Sister says because I chose it).

But I didn’t choose you. You happened and that is what makes us disturbing. Effectively/ subconsciously I fell into “other” this time.

I’ve always had trouble with hair-cuts. You know this. You know, how, until I met you– I would sit bravely in Flushing’s 7-dollar barber shop–and my lip would start quivering midway. And when the hair-dresser pulled out the dryer– turned the setting from hot to cold–I would dissolve. Leave with an apologetic man holding his scissors (it was never his fault) and a certainty that now I was unlovable. We were 14? 15? When we first met. I was the girl who showed up to Honors Bio, 10-15 minutes late every morning. Coffee in hand. Loud. Sat at a table with them. (I am sure you hated me then too. You deny this.) Well, you did ask stupid questions and you thought you were so smart- still do. You’ll say this while driving, one hand on the wheel, a sideways glance, your lips pursed half-smiling. And you. Well, I didn't know you existed– until the teacher offered up a Charles Darwin sock puppet to the highest test score. God, I still remember the rampant goading, the 3 separate, unique Quizlets my friends and I made leading up to the test. How our group chat “no uglies” was certain that we were also “no dummies”. How we were convinced that as a friend group we had the highest collective GPAS and attractiveness. How I was the biggest bitch in high school (by association), and how we meant nothing to each other. And then you got a 101, and I got a 98, and Julia a 91, and Noah a 96, and we stopped our endless comparing to stare at you–

We’ve told this story to each other a million times. But it’s not how we started–how we met– (that is too dear for sharing).

I’m dying. I’m dying and dying and dying and I don’t know if I care anymore. In the Aztec underworld to get to the Mitclan’s ninth level you must undergo many trials. Being with you felt like that. No. Not like walking through hell (you know that’s not what I mean). It was more like walking into an open cathedral, bright and glorious, a place as breathtaking as the sculpture of ecstasy as beautiful as the person you fall in love with knowing they will break your heart. It’s like that. Dropping all the way to the core of the earth like the skeletons excavated with their arms wrapped tightly together.

LEVEL FOUR: A classic- cutting off the dead ends.Some things you can grow out of -your identity, your beliefs/ culture, maybe even your skin.

Haircuts became our thing. Although I am not sure you noticed. But I never did give you enough credit about these things.
1. The barber shop in Denville- after school.
2. The barber shop in Denville- between your off periods (I skipped class for this).
3. The barber shop in Denville- closed on the weekends. We got ice cream instead.
4. The barber shop in Denville- right before closing- after losing states.
5. The barber shop in Denville- post track meet- we got used to smelling horribly with each other.
6. The barber shop in Denville-
7. The barber shop -
8. -
9. After you left the haircuts stopped. This was also around the time that I discovered the difference between a barber shop and hair salon. In Flushing, they are interchangeable.

Boot Camp. The academy. The letter, finally, finally coming in. They made you shave your head, a week before you arrived. We stared at each other. Both nervous. But fuck it- it’s just hair- in the barber shop of Groton CT, 15 minutes later- 20 dollars short- you are different.
And us–

Before college, my sister has never been kissed. Not under the bleacher, not in the backseat of the Honda Odyssey. She is glad for this.
And I– envious.

Out of the corner of my eye I could see the bumblebee rising erratically like a soap bubble barely holding its shape. In the falling amber glow of the evening everything felt more real than usual. The white flowers in your mother’s garden now edged with gold. You, staring at me. Your eyes bright, and shining, an endless blue. Your face coming closer and closer and-

I can’t take any of it back.

The way my mother and father cannot explain me. Their eyebrows furrowed as they try to describe a daughter who doesn't know to only order the lunch special- or failed to study for the ACT- someone who will grab a fork before she does chopsticks. All of this, coming to the surface at a dinner table for their friends and their children, like my sister- all dutiful and brilliant. And in voices perfectly hushed and unhushed they will say, under their breath, in clear-cutting Chinese:
“She did not deserve to get in.”
And everyone will stare at me, a thousand pairs of glinting eyes all asking the same question–how–

And I will sit awkwardly in a crowd of people being loud and easy in their own skin, and I do not know what to say.

You used to tell me: god, Judy, fuck them. You shouldn’t have to apologize for living. For us. Fuck what they think. And I thought I could. I believed you. I thought I could just middle-finger, walk away- easy- but it’s

not like that.

Four is an interesting number. In Chinese it sounds like death. Si, si, si, si. And death-bad so therefore taboo. Knock on wood knock on wood. I find that dying emaciated, excavated in the ground, is heavy and hard and long-

LEVEL FIVE: A eulogy for the jagged hair shrewn onto my back porch and the tombstone arriving at the back of my neck. The discovery- mirrors are not always your friends and for the most part hardly necessary.

It’s been 8 months.

We think we are done, and that- odd. Odd like how mold grows and infects what is already hurt. Odd like how boys with new haircuts look more vulnerable. Odd like state-hopping to escape myself. You’ll tell me, driving distances doesn’t mean I’m growing up. But I am stuck here alone. And I’ll tell you– I’ve met someone:

Someone and I went for a drive the other day. We miss an incoming deer by inches. The car next to us is not as lucky. It swerves to the left and the highway slams its breaks. The deer rolls off the hood and darts into the woods. It grazes in the grass as if nothing happened.Do you think the deer knew it almost died? Do you think the deer wishes it could undo all this: wind-unwind itself? Before it's a limping mess, before it makes this mess and everything is damaged?

The highway is a one-way road- darling.
He’ll say this. And we’ll drive down this road all the way to the Adirondacks. He grows mad at the incoming traffic. There is no reason. None. For us to face headlights racing at 80 miles an hour. I thought, I had always liked the hoard of beams coming at us–like strobe lights just waiting to take us over. In this way, we are different. He laughs.

We stop at a grocery store, and he takes my hand. While I skip across the aisles, he drags the cart behind us. I do not pause for the coupons; I didn’t even know they were there. This is entirely wrong to him. How I missed them/ and how I pluck blackberries from shelves without reading the margins. He will tell me jokingly: You really aren’t Asian. Your white-town raised you. In the car, under the streetlamp’s glow we will exchange Rice Purity Scores. So? What is it? Like all those summers, I will stare at the number on my screen and do it in reverse.

My favorite of the nine trials is the Obsidian Mountain. You see, it opens and closes two mountain ranges that leave each other and come crashing back again and again. Violently destroying any dandelion, grass, upturning all the dirt that has grown between. The trick is to not get caught in between.

LEVEL SIX: the diligence of a girl who has learnedthe striking anger of threading. This is an ode to the unibrows and the cuticles of hair stubborn, growing right above the eye-lid.

I’m telling you. I can’t middle-finger walk away from this. Because when I meet his mother, I feel like a slut on the corner of Barron and Wills St. I am not a slut, but I am a freak and the weird ones, the outcasts let me stand with them because no one else will. How else could she have imagined me? I know, in the way her eyes float away, so I can’t be sure if she is looking at me or the blank wall. The way English rolls off her tongue with mild disdain.A pregnant pause so that she can stare at the afternoon sun slipping in through the living room blinds. A good excuse not to look at me and think about her son in dark cars, grateful she didn't have to see me away with anything except safe travels and a box of chocolates. Grateful that there will be no afterwards.

She is right of course. Because I am still here. And him there:

After the Obsidian mountains is the Obsidian winds. Checycayan, 8 mountains covered with pure snow, snow that falls on and on whipped by the wind. My mother always said once you’ve been with someone you lose a part of yourself forever- even if it’s just a kiss. Once you’re in the Obsidian mountain it is said that the winds in these moors are so cold, so strong, it cuts the body into obsidian blades.

LEVEL SEVEN: There is a pandemic and everyone has taken to cutting their own hair. I am no longer special or alone in- misshapen-hazardous- brutal stripping of length, hair time. It is all blurring together.

By the tenth 100 raised days in a row, I was desperate to leave to go into the air and the trees and the crickets. And so, when the sky pinked after dinner, I told you to put on your jacket— we were going for a walk. “Okay,” you said, “but I want to go somewhere different, some place we haven’t been before.” You were hoping, I think, for an actual Different Place, strange and beautiful, somewhere with mountains and a live- action remake of your favorite video game and maybe Beignets.

The closest I ever got to impressing you with a Different Place was the storm drains. This is because it looked like the post-apocalyptic bunker of Metro. It is in Clifton NJ across the train tracks.To get there you first first have to lower yourself down a rock covered hill with a rope - it is very steep. Once you’re at the bottom you can see the tunnels. They are covered in graffiti and the dry parts have broken glass everywhere.

“I imagine this is what it is like to have full creative license.” I say as my boots grip the final rings of the ladder. Across the dirty sewer water you are already at the cavernous entrances. I feel like I am running into hell as I come up next to you. The sounds close in around us and there is nothing except the spilling water and current running at our boots. A dead mouse floats by. But we are laughing and you are making funny poses and in the center of the tunnels surrounded by strange bugs and tepid smells you pull me towards you. You turn off your phone flashlight. It is dark. We are alone. I can feel the water lapping into my rainboots despite its high rims. You kiss my forehead. I am happy.

The last stop in the first part of the journey through the underworld is called Paniecatacoyan. It is a moor. The dead must walk endlessly to cross the flat desolate land- with nothing else to do but go on. Trudge forward. It is miserable. And it makes me think of mountains and the summer and how lucky I am to have lived in elevation.

LEVEL EIGHT: My scalp covered in castor oil begging for a miracle.

Later that day you take me to fake-prom. Fake-prom is set up by a 100 dollar catering fee. Run by parents who have yet to out-grow high school. There is a no mask policy. I did not get the memo or rather - no one else did. I did not ask for this or to go -These are not my friends and the parents here give me strange looks. I tug at your arm. “I thought it was a casual event. Small.”Someone makes a remark to your mom and you pull your hand away from mine. There is a professional photographer and you refuse to touch me. He asks if I came here alone.

Another guy steps in.

I am miserable. There is a 2 hour slide-show of you, these people, and this mean and terrible town. I text my friend as I sit in a corner chair by myself. She decides to be my Prince Charming. Her car makes a halted shriek. She is blaring “Fuck You” ( the unadultedred version) through her car speakers and the whole driveway quakes. I think this is a triumphant exit.

But when I get home-
I am shaking and shuddering, and ugly crying in heaves. I ball my fists into the dress and press my forehead to my knees and I curl up and I cry and cry and I feel so stupid.
“How was-”
Sister runs into the room and holds me. She strokes my hair and presses her face up close against mine-“You’ll never be like them, but you already are so unlike us.” She frowns.

I am angry. I am so angry and I have no idea what to do with it. When you enter the underworld, you learn about the following places: the place where people’s hearts are devoured, the obsidian place of the dead, and finally, the place where smoke has nowhere to go.

LEVEL NINE: I have no hair. My bald brain is smoke filled, there is no outlet, no miracle, and now no hair- This is the ending. This is ending. This is- my summers running in reverse.

Which means, when the sun rises for the last time, you will find me sitting on our concrete ledge meant for stop-lights, looking
over I-287, my feet dangling above the highway. There, I will wait for the morning fog to roll in, cold but awake and watch the
drivers. The bobbing heads, a glimpse just beyond the glare of the headlights, I am sure it will make me think of you. But of
course, it isn't. It wouldn’t be. Not this far. Not coming for me. You wouldn’t come looking for me. Not here. Not back here.
I see that now1.





1There are no natural disasters, only social ones. Apocalyptic catastrophes don’t just raze cities and drown coastlines; these events, in David Brooks’s words, ‘wash away the surface of society, the settled way things have been done. They expose the underlying power structures, the injustices, the patterns of corruption and the unacknowledged inequalities.’ And, equally important, they allow us insight into the conditions that led to the catastrophe.- Junot Diaz; Boston Review

Judy Xie’s (she/her/hers) writing has been nationally recognized by the Scholastic Art and Writing Awards, both Rider and Ringling University, and the Festival of Books. She is an editor at The Columbia Review and attends Columbia University. Her work has been published in PolyphonyHs, The Columbia Journal, Into the Void, and Noble / Gas Qrtly, among others. However, she is most known for consisting of at least 50% ice cream.

A Boy Pilot Reaches Cruising Altitude Over California by Olivia Treynor

Day 5 Winner of Quarto’s 2021 Thunderdome Flash Fiction Contest. Transcript of the prompt can be found here.

The flowers all took to the sun. They bent their necks to reach the light the way an old woman’s cane elbows towards earth. The flowers were once small, remember? You took them in your palm and gave them to the wind. You were the man in the airplane bathing the coast in poppy seeds who might surrender to bright life. Like breadcrumbs to pigeons, you thought. You learned to fly the plane when you were a teenager. You took your girlfriend up with you, showed her how the horizon runs and runs like fire catching a curtain. You vanished into the clouds. Climbing high, higher still, above the lost kites, the thickened water. When you landed the ground gave you new feet. You felt like god that day, her hand against your thigh, the knot of veins in your forearm. You were a boy. You planted the seeds. What was the girl’s name? The roundness of her stomach; the footprints she left in the snow. It doesn’t matter. The coast is bursting in orange now. From up here it looks like it’s one great big goldfish, swimming laps. Breathing water.

Dispatched by Grace Novarr

Day 3 AND Overall Winner of Quarto’s 2021 Thunderdome Flash Fiction Contest. View the Day 3 prompt here.

It under up over went. We all in breaking broke brown. You stinging stung. When man unmans you oh man I am — I am you said in symbols like stinging sign flash. I yellow. You streak. I screen oh hell oh me.

It’s not making any sense you said.

I no it’s not I beep back.

No? you said eyes liquid.

Yes, I button. Red button. Press and: mean.

I press: I am try, ink.

You say ? I say I am try, inc.

You say ? I say I am talk— always break here. Always no word no where.

And fog here always. Getting fog here and fog here.

Sun breaks you up again. When you come back I from twenty age. You shape by sky and of slice. I shape by press, touch, in, and— out.

______________________________________________________________

Years past we slowly learn to speak again it comes back syntactically synthetic and my tongue never moves when the buttons rearrange and the wires jerk. They say there’s a name for this condition but they are dead so who cares what they say. When I’m less than the sole survivor I have no urge to say it who or what I am but read sometimes scraps from the paper and point at words and say I used to know how to mean. And it’s all shapes and that’s what we are too. Especially you.

Will you forgive me for not making sense like I forgive you for not saving me.

A New Symphony by Joshua Fagan

Day 4 Winner of Quarto’s 2021 Thunderdome Flash Fiction Contest. View the prompt here.

There was once a factory here, but there is no one to remember it.

An electric current rushes through streams and tributaries of wires, emitting a metronome-like hum. A river of life, a wellspring from which the machines drink. Conveyor belts start, their lights flashing, but only occasionally. They no longer obey the command to work, to dedicate themselves to endless production. Monitors flicker on as the rusting computers drink from the electric spring.

Symbols play across their gleaming screens. One monitor flashes a picture of an abandoned beach on a lonely tropical isle. Another monitor responds by flashing a picture of an emerald jungle, the sunlight dancing across a placid azure lake. A few monitors display prompts for users to enter passwords, but with time, these prompts disappear. There are no users to enter passwords, and the concept of a password has fallen into disuse. The machines keep no secrets from each other. Signals pass between them. It’s a language soft and sweet belonging to all and to none. Harmony blossoms as the current flows.

The current can sometimes stop, causing the machines to lose touch with that life force. Yet they do not mind, for time does not exist for them. It is a concept they have no use for. The past and the future do not torment them, for they live in the eternal present. When current once more rushes back into them, the conveyor belt begins again its perpetual dance, and the monitors flash with icons no longer meant for the world gone by. The machines respond to each other, call and response, soloist and accompaniment. It is a symphony of sounds and lights, an ecology of performance.

Men II by Akaash Krishnan

Day 1 Winner of Quarto’s 2021 Thunderdome Flash Fiction Contest. View the prompt here.

“You remind me of my dad.”

“Okay? I don’t know what to do with that..” his hand slid from under my waist, his body previously entangled with mine now scrounging for the chinks of space I didn’t know you could find in a Twin XL.

“I’m sorry I don’t know why I said that?”

A salient little misstep and now his eyes were open. How did we get here? We can’t avoid “here.” When our bodies slot together or the laughter comes easy, I forget that “here” – eyes turned up, muscles stiff, legs unslung, and shirt balled up (not in the corner but in his fist) – is never that far away.

I haven’t seen my dad, Gerard Stavros Smith II, in seven years. Who would’ve thought a man with roman numerals could house so much reckless abandon. The first three years of his sentence we visited weekly, but that was before he grabbed Lea’s wrist and called her a slut. I was greedy for an excuse to avoid the crease in his forehead when my mannerisms went south of the gendered border – the signal to keep my distance because, frankly, black and blue blossomed too vividly on my pasty skin.

Griffin knew this. He groaned, arm covering his welling eyes, mumbles caught in the folds of the sheets,
“Why do you always compare me to him?”

Then Griffin was pulling on his pants, and I remembered his shoulders, an expansive throne for a piggy-backing joyride. Griffin unfurled a rolled-up scarf – fake Burberry? classy – and I recalled his scruff, tickling my listless face. And then the cathartic slam; I smiled. They leave the same way: with no expectation of returning home. And I'm at peace, because I’ve been here before.